Norwegian Dance No. 2 Cover Image

Norwegian Dance No. 2: Full Orchestra Conductor Score & Parts

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Norwegian Dance No. 2 Cover Image

Norwegian Dance No. 2: Full Orchestra Conductor Score & Parts

By Edvard Grieg / arr. Michael Story

Grade: 2.5

Item: 00-BFOM04010

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Description
This revered classic composed by Edvard Grieg is carefully scored for the intermediate string or full orchestra. There are tremendous opportunities to teach meter and counting and a delicate beginning with the firsts on the melody and the remainder of the strings accompanying with pizzicato. Superb variety -- delightful! (2:18)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Norwegian Dance No. 2: Full Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Belwin Intermediate String/Full Orchestra
Publisher: Alfred Music
Page Count: 124
UPC: 654979079897
SKU: 00-BFOM04010

More about this title

About the Composer: Edvard Grieg

Edvard Grieg stands as Norway's most significant composer, and his works remain foundational to the Romantic orchestral repertoire. His gift for melody and harmonic color made him one of the most performed composers in concert halls and classrooms worldwide, with pieces that balance technical sophistication against accessibility for developing musicians.

Why we love this

Michael Story's arrangement keeps the lyric beauty of Grieg's original intact while building in genuine orchestral engagement across your full ensemble. The pizzicato accompaniment under the first violin melody creates a teaching moment that feels musical rather than mechanical, and the meter work arrives naturally through the score's phrasing rather than as an isolated exercise.

What to expect

Norwegian Dance No. 2 unfolds with gentle lyricism and folk-like warmth. The pizzicato strings create a rhythmic shimmer beneath singing violin lines, evoking the character of traditional Nordic dance music while maintaining the elegance Grieg brought to concert hall composition.

Who it's for

Intermediate orchestras ready to explore Romantic-era masterworks without overreaching technically. This works equally well for string orchestras or full ensembles, making it flexible for diverse program needs.

How to get the most out of it

  • Establish the pizzicato rhythm in the accompaniment voices before adding the first violin melody; this foundation keeps the delicate opening from sounding tentative.
  • Shape the dynamic swells in the melody with intention. Grieg's scoring asks for restraint, but the phrasing still requires forward motion through the longer lines.
  • Balance the string sections carefully so the inner voices don't disappear. At grade 2.5, many students play at the same volume regardless of harmonic function.

How to use it

Pair this with other Romantic-era orchestral works to build a concert around 19th-century musical nationalism, or program it as a contrasting lighter moment between weightier contemporary pieces. At just over two minutes, it fits neatly into festivals and showcases without consuming significant rehearsal time.

Skills your students will build

  • Meter awareness through natural phrasing rather than drill
  • Pizzicato ensemble accuracy and rhythmic precision
  • Balance and blend with independent melodic and accompaniment lines
  • Dynamic shaping within a lyrical, lyric framework
  • Reading and responding to Romantic-era articulation and expressive markings

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