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Nola: Percussion Ensemble Parts

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Nola: Percussion Ensemble Parts

For Marimba Ensemble with Xylophone Solo (5 Players)

By Felix Arndt

Grade: 4

Item: 00-FXSF600

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Description
Felix Arndt, an American pianist and popular music composer, wrote the piano solo "Nola" in 1915 as an engagement gift to his fiancé (and later wife). It became the theme song for the Vincent Lopez orchestra and a top ten hit for Les Paul in 1950. This marimba ensemble with xylophone was arranged by George Hamilton Green (xylophone) and William L. Cahn (marimba arrangement). It is arranged for five players.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Nola: Percussion Ensemble Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Publisher: Alfred Music
Page Count: 12
ISBN10: 0-7579-2626-6
ISBN13: 978-0-7579-2626-6
UPC: 654979036647
SKU: 00-FXSF600

More about this title

About the Composer: Felix Arndt

Felix Arndt (1880-1918) was an American pianist and composer whose gift for melody and ear for popular taste made him a significant figure in early twentieth-century American music. Though his career was cut short by his early death, Arndt left behind a catalog of piano pieces and songs that captured the spirit of the ragtime and novelty era, with "Nola" standing as his most enduring work.

Why we love this

This arrangement brings a beloved American standard into the percussion ensemble repertoire with genuine musicality rather than novelty for novelty's sake. The marimba and xylophone writing showcases the warmth and brightness of these instruments while keeping all five players engaged and essential to the texture.

What to expect

"Nola" sparkles with the brightness and bounce of early twentieth-century American popular song. The arrangement balances the xylophone's crisp articulation against the marimba's singing tone, creating warmth and lightness that feel natural and inviting rather than overly arranged.

Who it's for

Percussionists at the Grade 4 level will find a accessible entry point into marimba ensemble writing, with parts that reward secure technique and musical sensitivity. This works equally well for experienced percussion students seeking fresh material or for programs looking to feature percussion in a full concert context.

How to get the most out of it

  • Balance the marimba's melodic line so it sings above the supporting voices without drowning out the harmonic layers beneath it.
  • Lock the rhythmic figures between xylophone and marimba parts; precision here drives the piece's forward momentum.
  • Shape phrases through dynamics rather than tempo shifts; maintain the steady bounce that gives "Nola" its character.
  • Rehearse the ensemble as you would strings or winds, attending to blend and balance across the full five-player texture.

How to use it

Program this as a contrasting lighter moment in a concert of varied percussion repertoire, or use it to open a set of early American music alongside other novelty and popular standards of the era. Its accessible melody and buoyant character make it excellent for engaging student audiences and parents unfamiliar with percussion ensemble literature.

Skills your students will build

  • Sustaining melodic line across marimba and xylophone
  • Ensemble balance in five-part texture
  • Rhythmic precision in syncopated figures
  • Independence between melody, harmony, and accompaniment layers

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