Nobles of the Mystic Shrine (March) Cover Image

Nobles of the Mystic Shrine (March): Concert Band Conductor Score

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Nobles of the Mystic Shrine (March) Cover Image

Nobles of the Mystic Shrine (March): Concert Band Conductor Score

By John Philip Sousa / ed. Frederick Fennell

Grade: 4 (Medium)

Item: 00-BDM04013C

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Description
Now with a full score provided, here's the original Fennell arrangement of this revered John Philip Sousa march. Although there was always a harp included in the photographs of the Sousa Band, this is the only march in his repertoire that includes a part for the harpist. The part is included and can be played on a synthesizer. This one's a real barn burner. (3:20)

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Additional Details
Series: Fennell Edition Marches for Band
Publisher: Alfred Music
Page Count: 28
UPC: 654979066989
SKU: 00-BDM04013C

More about this title

About the Composer: John Philip Sousa

John Philip Sousa (1854-1932) stands as America's foremost march composer and the most performed composer in United States history. His prolific output of 136 marches, combined with his work as a conductor, bandmaster, and advocate for composers' rights, fundamentally shaped the concert band repertoire and the brass band tradition in America.

Sousa's marches are vehicles for teaching ensemble balance, precision, and stylistic clarity. His harmonic language and formal structures remain models for understanding functional tonality in wind music, and his marches continue to anchor concert band curricula at every level from middle school through professional ensembles.

Why we love this

The Fennell arrangement brings scholarly clarity to one of Sousa's most distinctive orchestrations. The inclusion of the harp part, historically authentic and performable on synthesizer, gives your band access to a unique sonority rarely encountered in the march repertoire. This is the piece your students will remember long after the concert ends.

What to expect

Nobles of the Mystic Shrine radiates the grandeur and ceremonial pomp Sousa perfected. The opening is stately and processional, building into cascading passages of pure joy and momentum. When the trio arrives with its soaring melody, the piece achieves the lyrical nobility that makes a march genuinely memorable rather than merely propulsive.

Who it's for

Concert bands at the high school, college, and community ensemble level will find this grade 4 march both accessible and musically substantial. Directors seeking a showpiece that combines historical importance with straightforward technical demands will value the Fennell edition's clarity and completeness.

How to get the most out of it

  • Secure the rhythmic precision of the full band first; Sousa's march style demands crisp articulation and exact ensemble alignment, especially in the rapid figures of the trio.
  • Balance the harp against the full ensemble carefully. If using synthesizer, test the timbre in rehearsal to ensure it cuts through without dominating the harmonic foundation.
  • Shape the main melody with subtle dynamic contours rather than holding a single dynamic level. The march's energy comes from forward momentum, not relentless fortissimo.
  • Give special attention to the trumpet section's lyrical passages; they require singing tone quality that contrasts with the march's rhythmic drive.

How to use it

Open a concert with this march to establish energy and command attention immediately. Its three-minute-twenty-second duration makes it an ideal companion to a longer symphonic work or a set of shorter pieces. The historical significance and distinctive harp sonority also make it fitting for a program exploring American musical heritage or the enduring relevance of the Sousa tradition.

Skills your students will build

  • Precision ensemble articulation in rapid rhythmic figures
  • Balance between melody and harmonic accompaniment across the full band
  • Dynamic shaping and phrasing in march style
  • Section independence while maintaining collective forward momentum
  • Stylistic conventions of early 20th-century American march writing

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