No Well, No Well! (Bring Some Water Jeannette, Isabella!) Cover Image

No Well, No Well! (Bring Some Water Jeannette, Isabella!): 3-Part Mixed Choral Octavo

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No Well, No Well! (Bring Some Water Jeannette, Isabella!) Cover Image

No Well, No Well! (Bring Some Water Jeannette, Isabella!): 3-Part Mixed Choral Octavo

Music by Steve Kupferschmid

Item: 00-4768

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Description
How do we describe this one? Let's see . . . there are thirsty kings, camels with dragging tongues and sagging humps, and there's just no water to be found. So 'bring some water, Jeannette, Isabella.' What a hoot! Liven up your holiday concert with this novelty number from Steve Kupferschmid. Fun for all and all for fun!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, No Well, No Well! (Bring Some Water Jeannette, Isabella!): 3-Part Mixed Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Archive Edition: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 8
UPC: 038081004730
SKU: 00-4768

More about this title

Why we love this

Kupferschmid nails the delicate balance between humor and musicality that makes a novelty number actually work in performance. Your singers will laugh during rehearsal but take the piece seriously enough to deliver clean three-part writing and clear storytelling, which means the audience laughs with them rather than at them.

What to expect

A musical comedy sketch that unfolds like a desert fever dream: parched kings, exhausted camels, and Jeannette and Isabella as unlikely saviors. The piece bounces between absurdity and genuine musicality, landing squarely in the "everyone smiles" category without sacrificing craft.

Who it's for

Choirs looking for an entertaining secular piece that works equally well for middle school, high school, or community ensembles. Three-part mixed voicing makes it accessible to groups still building their lower voice sections or managing limited male singers.

How to get the most out of it

  • Establish the comedic stakes early: treat the thirst narrative as genuinely desperate, not silly. The humor lands harder when everyone commits to the premise.
  • Shape the three parts with distinct character voices. Sopranos and altos can trade the urgency while baritones provide grounded support, creating dramatic contrast within a short piece.
  • Nail the articulation and text clarity on repeated phrases like 'No water.' Crisp diction keeps the novelty from devolving into muddy jokes.

How to use it

Slot this into the second half of a winter concert after more serious or reflective pieces. It resets the room's energy and reminds audiences that choral music can be joyful and ridiculous. Works especially well before or after other secular holiday novelties to create a themed comedy set.

Skills your students will build

  • Singing independent three-part harmony with clear voice leading
  • Text characterization and comedic storytelling through music
  • Sustaining narrative focus across a short, compact form
  • Diction and articulation for humorous effect

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