No Time Like the Present Cover Image

No Time Like the Present: Jazz Ensemble Conductor Score

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No Time Like the Present Cover Image

No Time Like the Present: Jazz Ensemble Conductor Score

By Sammy Nestico

Grade: 4.5 (Medium Advanced / Difficult)

Item: 00-JEM02010C

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Description
From the Quincy Jones and Sammy Nestico CD titled Basie & Beyond. Composed and arranged by the lendendary Sammy Nestico, this is the quintessential easy-swing chart. Sammy loaded this with a great sax section soli and he features the lead trombone in the jazz solo space with optional tenor, alto or trumpet, if desired. You get the tasty dynamics you expect---the brilliant Nestico rompin', stompin' and swingin' shout chorus and the superb scoring, from one of the finest writers in the history of big bands. You need this chart in your library! ( (1:08)

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Additional Details
Series: Quincy Jones & Sammy Nestico Premier Jazz
Publisher: Alfred Music
Page Count: 20
UPC: 654979024484
SKU: 00-JEM02010C

More about this title

About the Composer: Sammy Nestico

Sammy Nestico stands among the most recorded big band arrangers in history, with a career spanning seven decades. His work for the Count Basie Orchestra, Thad Jones/Mel Lewis Orchestra, and countless studio sessions defined the sound of modern big band writing. Nestico's gift for balancing accessible swing idioms with sophisticated harmonic language and tight section writing made him indispensable to bandleaders seeking charts that sounded both polished and energetic.

His arrangements consistently prioritize clarity and musicianship without sacrificing the joy of playing. Directors return to Nestico's catalog because his charts teach ensemble discipline while delivering the swagger that makes jazz ensembles want to perform.

Why we love this

This chart demonstrates why Nestico earned his reputation as the definitive big band voice for the modern era. The writing balances showcase moments (the sax section soli, the featured trombone solo) with ensemble punch in the shout chorus, giving every section something rewarding to execute. You'll find the scoring speaks clearly to your ensemble while maintaining professional-quality musicianship throughout.

What to expect

Swinging, generous, and full of character. The piece moves with the ease of a seasoned ensemble even as it asks for precision and style. There's a warmth in Nestico's voice writing that invites players to find their pocket and stay there; the shout chorus hits with the joy of a band completely locked in together.

Who it's for

Jazz ensemble directors at the high school or college level looking for a professional-quality chart that challenges their section leaders while remaining accessible for players still developing their jazz fundamentals. This is material that belongs in the library of any ensemble serious about performing repertoire from the Basie legacy.

How to get the most out of it

  • Lock the swing feel during the head. Nestico's notation is precise about attack and release; honor the articulation markings to achieve the crisp, unified section sound his scoring requires.
  • Balance the sax section soli carefully. The four-part writing needs transparency; avoid letting the section overpower. Let each voice speak within the harmonic texture.
  • Bring energy into the shout chorus without rushing the tempo. The excitement comes from tightness and dynamic control, not faster playing. Emphasize the written dynamics to shape the climax.
  • Allow the featured trombone soloist room to breathe and phrase. The solo section (with optional alto, tenor, or trumpet) works best when the rhythm section stays relaxed and supportive rather than driving hard.

How to use it

Program this as a anchor piece on a jazz concert, paired with contrasting material (perhaps something blues-based or more modern). It works equally well as a mid-set energizer that showcases your section strength and your ensemble's ability to execute sophisticated swing with confidence.

Skills your students will build

  • Reading and executing jazz articulation and dynamics from professional big band charts
  • Section blend and balance in ensemble contexts
  • Swing phrasing and feel in a structured arrangement
  • Solo readiness and musical conversation with the rhythm section
  • Managing tempo consistency and groove through complex section writing

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