No time (at all) Cover Image

No time (at all): Guitar Book

$24.95 USD
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No time (at all) Cover Image

No time (at all): Guitar Book

for Two Guitars

By Brian Ferneyhough

Item: 98-EP7789

$24.95
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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 16
UPC: 0
SKU: 98-EP7789

More about this title

About the Composer: Brian Ferneyhough

Brian Ferneyhough stands among the most significant compositional voices of the late 20th and early 21st centuries, known for works of extraordinary complexity and intellectual rigor. His music challenges performers to reimagine what is possible on their instruments, combining dense notational systems with profound expressive intent.

Ferneyhough has held teaching positions at institutions including Stanford University and the Royal Academy of Music, where he has shaped multiple generations of composers. His catalog spans orchestral works, chamber music, vocal music, and solo pieces that demand both technical mastery and deep interpretive commitment from those who perform them.

Why we love this

Ferneyhough's guitar writing expands the instrument's vocabulary in ways that feel urgent and necessary. This 16-page work demands serious study from advanced players, offering the kind of artistic challenge that transforms a musician's understanding of what their instrument can express.

What to expect

The music inhabits a space between intense intellectual construction and visceral sound exploration. Ferneyhough's guitar writing alternates between moments of crystalline clarity and passages of shimmering, complex texture that test both the performer's technique and their ability to find musicality within density.

Who it's for

This work is for advanced guitarists with strong sight-reading skills and comfort with contemporary notation. It belongs in the hands of players pursuing a serious engagement with 21st-century guitar repertoire and willing to invest significant practice time in mastering its challenges.

How to get the most out of it

  • Study the notation system thoroughly before attempting to play; Ferneyhough's graphic and symbolic elements carry specific musical meaning and require careful decoding
  • Work slowly through passages that combine rapid figuration with unconventional techniques, prioritizing accuracy of execution before building tempo
  • Attend closely to dynamic shadings and microtonal indications, which shape the piece's character as much as pitch and rhythm do

How to use it

Program this work on contemporary music recitals or concert series devoted to solo guitar repertoire of the highest artistic ambition. It serves as a powerful statement piece that positions the guitar squarely within avant-garde musical practice.

Skills your students will build

  • Reading complex contemporary notation including graphic elements and extended techniques
  • Control of unconventional guitar techniques and timbral variation
  • Interpretation of works with dense intellectual architecture
  • Rhythmic precision in passages combining multiple metric layers
  • Musical storytelling within abstract compositional frameworks

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