New Directions® For Strings, Viola Book 2 Cover Image

New Directions® For Strings, Viola Book 2: Viola Method Book

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New Directions® For Strings, Viola Book 2 Cover Image

New Directions® For Strings, Viola Book 2: Viola Method Book

By Joanne Erwin, Kathleen Horvath, Robert D. McCashin, Brenda Mitchell

Item: 98-SB304VLA

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Description
Written by a team of pedagogues representing each of the four stringed instruments, this exciting method includes many "new directions," including equal integration of all instruments and a tetrachord-based approach to support proper development of the left hand. Discover the abundance of assessment opportunities, attention to bow control, and the incredible music that will surely motivate your students!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, New Directions® For Strings, Viola Book 2: Viola Method Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: New Directions® For Strings
Publisher: The FJH Music Company, Inc.
ISBN10: 1-56939-707-4
ISBN13: 978-1-56939-707-7
UPC: 674398223626
SKU: 98-SB304VLA

More about this title

Why we love this

The tetrachord-based progression gives violas a genuine foundation in left-hand development rather than the patched-together approach many methods resort to. You'll notice the assessment checkpoints throughout Book 2 let you confirm understanding without stopping rehearsal momentum, and the equal instrumental voice integration means your violas aren't playing filler while violins carry the melody.

What to expect

Purposeful and efficient. The progression respects what violas can accomplish musically at this level while building technique systematically. You'll find yourself and your students moving forward with confidence rather than confusion.

Who it's for

Viola students working through their second year of string study, whether in a full orchestra or small group setting. Teachers and directors who want a method that treats the viola voice with real musical respect rather than relegating it to accompaniment patterns.

How to get the most out of it

  • Address bow distribution early and often. The method's attention to bow control means students have the tools; your rehearsal job is holding them accountable to consistent weight and speed.
  • Use the tetrachord structure to diagnose intonation problems. If a student struggles in a passage, backtrack to the foundational tetrachord pattern they learned to isolate the exact interval issue.
  • Rotate who leads in the ensemble pieces. Since all instruments are equally integrated, your violas can carry musical lines without apology, which builds both confidence and section pride.
  • Spend time with the assessment opportunities rather than skipping them. They reveal exactly where a student needs reinforcement before moving forward.

How to use it

Pair Book 2 with a balanced repertoire that lets students apply the tetrachord concepts they're learning. The method's structure works well as a curricular anchor in fall and winter when you're still developing fundamentals, leaving spring for more elaborate ensemble arrangements.

Skills your students will build

  • Tetrachord-based intonation and left-hand positioning
  • Bow control and distribution across string crossings
  • Reading in alto clef with increased rhythmic complexity
  • Balanced ensemble voicing and equal melodic responsibility
  • Self-assessment through guided checkpoints

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