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Need You Now: SAB Choral Octavo

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Need You Now: SAB Choral Octavo

As Recorded by Lady Antebellum

Words and music by Dave Haywood, Charles Kelley, Hillary Scott, and Josh Kear / arr. Greg Gilpin

Item: 00-35718

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Description
This huge-selling title song from Lady Antebellum's second studio album features a memorable country pop hook. It has been at the top of several Billboard charts throughout 2010. During the recent 45th Country Music Awards, the group, the song, and the album were all big winners. Both the song and the record are now 2011 Grammy winners!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Need You Now: SAB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081399140
SKU: 00-35718

More about this title

About the Composer: Dave Haywood

Dave Haywood is a founding member and guitarist of Lady Antebellum, the Grammy-winning country pop group that shaped the sound of contemporary country music in the 2010s. As a songwriter and composer, Haywood has co-written some of the group's biggest hits, earning multiple Grammy nominations and awards alongside his bandmates. His work demonstrates a gift for crafting hooks and melodies that resonate across both country and pop audiences.

Why we love this

Greg Gilpin's arrangement captures the infectious appeal of this chart-topping song while making it genuinely singable for developing SAB ensembles. The piece balances accessibility with musical substance, allowing singers to feel the energy and momentum of a contemporary hit without overwhelming them technically. Programming it connects your choir to songs that students actually know and love hearing on the radio.

What to expect

The arrangement brings the slick, modern country pop sound of the original into a choral setting that feels both intimate and energetic. There's a conversational quality to the lyrics paired with an undeniable forward momentum; the song sits in a comfortable range and invites singers to lean into the contemporary groove rather than approaching it with classical restraint. The overall effect is confident and approachable, with genuine emotional resonance beneath the polished pop sheen.

Who it's for

This octavo works well for high school, community, and developing college choirs seeking contemporary repertoire that engages singers and audiences alike. Directors can rely on it to reach students who connect with current music while building their choral skills. The SAB voicing makes it accessible to mixed ensembles without strong lower voices.

How to get the most out of it

  • Anchor the rhythm section on the steady, driving beat. The song's power comes from locking in that country pop groove, so pianists and any supplemental rhythm accompaniment should emphasize the pulse throughout.
  • Shape the memorable hook with intention. This is the ear-catching moment; bring out the top line clearly and let the harmony underneath support it without competing.
  • Maintain crisp articulation in the rhythmic passages. Country pop style benefits from clean consonants and energetic diction that matches the recorded accompaniment's tempo and feel.
  • Balance the three parts so no voice gets lost. SAB voicing works best when all three lines are heard distinctly, particularly in moments where the arrangement shifts the melody between parts.

How to use it

This title fits naturally into a concert focused on contemporary or pop repertoire, or as a crowd-pleasing finale that connects with audience members familiar with the recording. It also works as a smart bridge between traditional choral literature and more current musical styles, signaling to singers and listeners that your program spans multiple genres and eras. Consider pairing it with other modern hits to showcase the breadth of what choral music can be.

Skills your students will build

  • Singing in contemporary/pop style with appropriate rhythmic energy and phrasing
  • Balancing three-part harmony with clear melodic line awareness
  • Matching the tempo and groove of a recorded accompaniment
  • Performing with conviction songs from outside the classical tradition

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