Nautilus Cover Image

Nautilus: Saxophone Quartet (AATB) Score & Parts

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Nautilus Cover Image

Nautilus: Saxophone Quartet (AATB) Score & Parts

By David Marlatt

Level: Easy-Medium

Item: 81-SQ220101

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Description
The Nautilus is a fictional submarine found in Jules Verne's novel Twenty Thousand Leagues Under the Sea. The sub and its crew sail to many places in the world's oceans from the Antarctic ice shelves to the Red Sea. They have many adventures and encounter mysterious creatures of the deep including a battle with a giant squid. This piece describes the various exploits of the ship and its time at sea. Composed for saxophone quartet (AATB) by David Marlatt.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77157-795-9
ISBN13: 978-1-77157-795-3
UPC: 685462027965
SKU: 81-SQ220101
Instrumentation: Saxophone Quartet (AATB)

More about this title

About the Composer: David Marlatt

David Marlatt is an accomplished composer and arranger whose work spans educational and concert settings. His compositions for woodwind ensembles demonstrate a strong command of orchestration and an ear for accessible yet engaging musical storytelling.

Why we love this

Marlatt captures the narrative arc of Verne's novel without resorting to obvious program music clichés. The piece gives each voice room to shine while maintaining the kind of rhythmic drive and textural interest that keeps young ensembles engaged across a full work.

What to expect

An underwater adventure that breathes. The music travels through moments of wonder and mystery, punctuated by the excitement of encounters and exploration, all rendered in the warm, blended sonority of four saxophones.

Who it's for

Saxophone quartets at the easy-medium level who want repertoire with narrative appeal and genuine musical substance. Directors seeking to program a piece that works equally well in a concert setting or as an engaging study in four-part writing.

How to get the most out of it

  • Balance the quartet so that whichever saxophone carries the primary melody cuts through clearly; the AATB voicing can easily bury the top voice if the first alto overplays relative to the baritone foundation.
  • Attend to the descriptive moments that suggest different oceanic scenes; shifting your tone color and articulation between passages mirrors the journey itself.
  • Lock the harmonic foundation between second alto and baritone to establish a stable rhythmic bedrock for the soloistic material above.

How to use it

Feature this on a chamber concert or use it as a centerpiece for a unit on program music and narrative composition. The literary connection makes it a natural pairing with a thematic concert exploring Jules Verne or classic adventure stories.

Skills your students will build

  • Balancing melodic and harmonic roles within ensemble texture
  • Sustaining musical momentum across a multi-section form
  • Collaborative listening and blend in a small ensemble setting
  • Interpreting descriptive musical language to inform phrasing and tone color

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