My Trio Book (Mein Trio-Buch) (Suzuki Violin Volumes 1-2 arranged for three violins) Cover Image

My Trio Book (Mein Trio-Buch) (Suzuki Violin Volumes 1-2 arranged for three violins): Score Book

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My Trio Book (Mein Trio-Buch) (Suzuki Violin Volumes 1-2 arranged for three violins) Cover Image

My Trio Book (Mein Trio-Buch) (Suzuki Violin Volumes 1-2 arranged for three violins): Score Book

Arr. Kerstin Wartberg

Item: 00-19640X

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Description
This series contains all of the pieces from Volumes 1 and 2 of the Suzuki Violin School arranged for three violins. Suzuki Violin Volume 1 serves as the violin 1 part. The pieces can be played with or without piano accompaniment, which expands their performance possibilities. Another advantage is that students at different playing and reading levels can make music together. The score contains a chart that lists the level of difficulty of each piece and each part so that the teacher can easily assign parts. All of the parts were purposely kept as simple as possible. A table listing the reading skills required for each piece is found in the back of the violin 2 and violin 3 books. A separate CD is available containing all of the trio arrangements.

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Additional Details
Publisher: Alfred Music
Page Count: 48
ISBN10: 1-58951-196-4
ISBN13: 978-1-58951-196-5
UPC: 654979038641
SKU: 00-19640X
Instrumentation: Score

More about this title

Why we love this

Wartberg's arrangements preserve the pedagogical integrity of the Suzuki method while creating genuine ensemble opportunities. The flexibility of part assignments means a teacher can rotate students through different roles, build mixed-level groups, and keep everyone engaged in meaningful musical collaboration without leaving anyone stranded at the piano.

What to expect

Familiar and rewarding. The pieces students recognize from their individual practice suddenly gain depth and warmth when three voices weave through them together. Even simple arrangements become small chamber music experiences, encouraging students to listen beyond their own part.

Who it's for

Violin teachers building ensemble skills within their private studios or group classes. Directors of youth orchestras and Suzuki programs who want to offer mixed-level performance experiences without waiting for entire cohorts to reach the same skill level.

How to get the most out of it

  • Use the difficulty chart to assign parts strategically. Stronger readers can take Violin 1 while developing readers work through Violin 2 or 3, allowing the group to play the same repertoire together.
  • Rehearse with piano accompaniment during preparation, then perform without it when the parts are secure. This builds ensemble independence and gives students the confidence that comes from supporting the harmony themselves.
  • Balance tone across the three parts by listening for blend rather than volume. Since all parts are written at accessible levels, attention to matching vibrato speed and bow speed creates cohesion.
  • Record the group early and often. Hearing their own trio performance motivates students and clarifies balance issues that are hard to detect from within the ensemble.

How to use it

Build student recitals around these trios, allowing beginners and intermediate players to perform on the same concert. They also work well for festival and competition contexts where mixed-level ensemble playing is valued, or as a bridge activity between solo practice and full group rehearsals.

Skills your students will build

  • Reading multiple violin parts and identifying their own line within the ensemble
  • Listening to and balancing against different melodic lines
  • Adjusting intonation when playing with other players rather than an accompaniment
  • Part flexibility (playing Violin 1, 2, or 3 for the same piece)
  • Ensemble rhythm and coordinated articulation across three players

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