My God Is a Rock: TTB Choral Octavo
Traditional Spiritual / arr. Ruth Morris Gray
Item: 00-PO-0003241
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More about this title
About the Arranger: Ruth Morris Gray

Ruth Morris Gray has directed choirs at Rosemead High School in California since 2004, where she also teaches piano. She holds a Bachelor of Music in Piano Performance and Composition from Biola University and a Master of Arts in Music Composition from UC Santa Barbara, along with her California Single Subject Music Credential from Cal State Northridge.
With over 100 published choral compositions to her name, Gray has established herself as a prolific voice in contemporary choral literature. Her work spans multiple voicings and styles, always grounded in her dual expertise as both a composer and an active classroom musician.
Why we love this
Gray captures the raw intensity of this spiritual without softening its emotional core. The counterpoint between voice parts feels organic rather than imposed, and the optional solos give you flexibility to feature strong singers or keep the moment fully choral depending on your ensemble's makeup.
What to expect
Urgent and unrelenting. The minor key and accented piano create a propulsive energy that feels almost restless, while the layered text fragments pile urgency upon urgency. By the time the dramatic choral add-on arrives, the ensemble has built genuine dramatic weight.
Who it's for
This arrangement suits choirs with solid musicianship in the upper and lower voices. The counterpoint and rhythmic precision demand attentive singers, but the piece rewards that investment with an emotionally gripping performance that audiences won't forget.
How to get the most out of it
- Treat the counterlines as equal melodic statements. Each voice part carries a distinct text fragment that builds the harmonic and textual tension, so resist the urge to push any one voice into the background.
- Work the minor-key harmonic landscape carefully in rehearsal. Mark the chord changes and have singers understand how each voice contributes to the overall color shift, especially as the arrangement builds toward the dramatic final section.
- Shape the drama of the piano part alongside the voices. The accented accompaniment is not decoration; it's a conversation partner that drives the urgency forward throughout.
How to use it
Program this as a centerpiece for a concert exploring spirituals or sacred music across traditions. Its intensity and theatrical edge make it ideal for closing a first half or anchoring a themed set alongside other powerful choral work.
Skills your students will build
- Singing independent melodic lines within a polyphonic texture
- Sustaining energy and focus through repeated textual and rhythmic motifs
- Coordinating with piano accompaniment on syncopated and accented rhythms
- Balancing dynamic intensity with textual clarity in a minor-key harmonic environment
- Executing optional solo passages with confidence and stylistic authenticity