My Funny Valentine: SATB Choral Octavo

Name: My Funny Valentine: SATB Choral Octavo
Brand: Alfred Music
SKU: 00-WBCH9304
Price: 2.25 USD
Availability: InStock

By Richard Rodgers / arr. Jay Althouse

Level: Moderate

Item: 00-WBCH9304

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This stunning rendition of a timeless classic is destined to become a standard in the choral repertoire. Exquisite harmonies and a beautiful accompaniment add that touch of class. Perfect for any performance setting, this one is a must!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, My Funny Valentine: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Series: Alfred Archive Edition: Alfred Pop Choral Series

Publisher: Alfred Music

Page Count: 8

UPC: 029156033274

SKU: 00-WBCH9304

More about this title

About the Composer: Richard Rodgers

Richard Rodgers (1902-1979) shaped American musical theater across five decades, composing melodies that defined the genre. His partnership with lyricist Lorenz Hart produced standards like "My Funny Valentine," while his later work with Oscar Hammerstein II created some of theater's most enduring scores. Rodgers's gift for writing singable, memorable lines with sophisticated harmonic understructure makes his music ideal for choral settings at all levels.

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Why we love this

Jay Althouse's arrangement preserves the elegance of Rodgers's original melody while crafting SATB voicings that sit comfortably in moderate voices without sacrificing harmonic richness. The piece brings Broadway sophistication to a concert setting that feels achievable for Grade 3 singers, and its twelve-measure length makes it program-friendly without feeling slight.

What to expect

Wry affection meets tenderness. The melody carries a slight detachment, even as the harmonies around it lean warmly into vulnerability. Singing it feels like inhabiting a moment of honest emotion held just slightly at arm's length.

Who it's for

Directors seeking a standard-repertoire selection that combines theatrical heritage with choral accessibility will find this especially valuable. The octavo works for concert performances, spring programming, or any setting where a romantic, sophisticated selection strengthens the arc of a set.

How to get the most out of it

Balance the melody between soprano and alto sections; both carry significant material, so rehearse them as equal partners rather than treating the soprano line as the primary voice.
Shape phrases with legit vocal tone rather than pressed chest voice. The harmonic language rewards clarity and blend, which emerge when singers produce with ease.
Pay attention to the accompaniment; it establishes the song's sophisticated character. Coordinate with your pianist to ensure steady, unhurried tempos that allow the harmony to breathe.

How to use it

Pair this with other Broadway standards or timeless pop selections to create a coherent concert section, or use it as a centerpiece standalone offering that demonstrates your ensemble's ability to handle theatrical material with musical maturity. Its length and moderate difficulty make it suitable for mid-concert placement.