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Multnomah: Concert Band Conductor Score

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Multnomah Cover Image

Multnomah: Concert Band Conductor Score

Legend of the Falls

By William Owens

Grade: 2.5

Item: 98-B1813S

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Description
Relive the tale of a young tribal princess and her quest to rescue her people from utter destruction. Poignant melodies and soul-stirring harmonies beautifully illustrate a brave young heroine who gives her life so that others may live. You and your students will be profoundly moved by this gripping work.

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Additional Details
Series: FJH Young Band
Publisher: The FJH Music Company, Inc.
UPC: 241444531266
SKU: 98-B1813S

More about this title

About the Composer: William Owens

William Owens

William Owens brings three decades of classroom experience to his composition work. Born in Gary, Indiana, and trained at VanderCook College of Music (1985), Owens has established himself as a prolific voice in young band repertoire, with over 300 published works spanning concert band, string orchestra, and chamber ensembles. His music appears on state required lists and in educational curricula across North America, earning recognition through ASCAP membership, commissions from major music organizations, and a Meritorious Achievement Award from the Texas Bandmasters Association.

Owens retired in 2014 after 30 years as a band director in Texas. His compositional approach reflects deep understanding of what young musicians can accomplish: music that is practical to teach, engaging to perform, and musically substantial. He holds distinction as a Distinguished Alumnus of VanderCook and maintains active involvement as a clinician and conductor throughout North America.

Why we love this

Owens writes music that respects the intelligence of young musicians while acknowledging the technical realities of developing ensembles. This piece demonstrates why his work consistently appears on festival programs and required lists: it tells a powerful story with genuine emotional weight without demanding virtuosic technical display. The Grade 2.5 difficulty level allows the narrative and musical substance to land clearly, letting students feel the impact of their work.

What to expect

Multnomah unfolds with nobility and tenderness. The music evokes a landscape of shifting emotional light: moments of hope and determination alternate with passages of quiet reflection and sacrifice. The orchestration breathes space around the melodic voice, allowing the story to emerge clearly without overwhelming the young players responsible for telling it.

Who it's for

This work suits concert bands at the intermediate level seeking meaningful repertoire with cultural substance. Directors programming ceremonies, heritage concerts, or thematic festivals will find a piece that engages student musicians emotionally while remaining accessible in range, technical demand, and doubling.

How to get the most out of it

  • Balance the poignant melodic lines so they sing above the harmonic foundation; young players often play accompaniment figuration at full volume, which muddies the storytelling.
  • Shape phrases deliberately toward climactic moments rather than playing mechanically through sections. Mark breath points and long-line direction in rehearsal.
  • Allow rubato in the most emotional passages. This is a narrative work, not a march; controlled flexibility makes the heroine's journey resonate more deeply.
  • Discuss the cultural and historical context with your students before rehearsal begins. Understanding what the music depicts helps them perform with appropriate weight and sincerity.

How to use it

Program this as a concert centerpiece that creates a shift in mood and attention from lighter fare. Its thematic depth and cultural resonance make it particularly effective for concerts exploring American stories, indigenous heritage, or character and sacrifice. The Grade 2.5 level allows it to work comfortably alongside other intermediate repertoire while commanding the respect it deserves.

Skills your students will build

  • Phrase shaping and musical direction in moderately complex melodic structures
  • Balancing melodic and accompaniment voices within a full band texture
  • Reading and performing with appropriate dynamic contrast and expression marking
  • Understanding the relationship between cultural narrative and musical gesture
  • Sustaining focused ensemble sound through longer compositional sections

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