Mr. Bojangles Cover Image

Mr. Bojangles: 3-Part Mixed Choral Octavo

$1.60 USD
Sale price  $1.60 USD Regular price 
Skip to product information
Mr. Bojangles Cover Image

Mr. Bojangles: 3-Part Mixed Choral Octavo

Words and music by Jerry Jeff Walker / arr. Jeff Funk

Level: Moderate

Item: 00-CHM05020

$1.60
Shipped

One moment…

Description
This '60s hit penned by Jerry Jeff Walker has been recorded by numerous artists including Sammy Davis Jr., The Nitty Gritty Dirt Band, John Denver, Bob Dylan, Nina Simone, and many others. It's the musical story of Bill "Bojangles" Robinson and his life on the road. Classic '60s captured in a very singable choral setting by Jeff Funk.

Mr. Bojangles: 3-Part Mixed Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 654979089827
SKU: 00-CHM05020

More about this title

About the Composer: Jerry Jeff Walker

Jerry Jeff Walker (1942-2020) was an American singer-songwriter who became known for his contributions to outlaw country and folk music during the 1960s and 1970s. "Mr. Bojangles," written in 1967, stands as his most enduring composition, a narrative ballad that celebrates the legendary tap dancer Bill Robinson with genuine warmth and respect. Walker's gift for storytelling through song made him a fixture in Nashville and Austin, and his compositions have been recorded across multiple genres by artists ranging from country to pop to R&B.

Why we love this

This arrangement respects the song's narrative heart while making it genuinely singable for developing choirs. Jeff Funk's voicing sits comfortably across three parts, and the moderate difficulty level means your singers stay focused on the story rather than wrestling with the notes. It's the kind of piece that reminds audiences why this song has endured across five decades of recordings.

What to expect

There's a quiet dignity in this piece that comes from respecting its subject. The music carries the warmth of a late-night conversation, with rhythmic ease and genuine affection in every phrase. The arrangement preserves the song's conversational intimacy even as the three-part writing creates fullness.

Who it's for

This octavo works well for intermediate choirs, community ensembles, and high school groups seeking material with genuine cultural substance. It appeals to singers who connect with folk and pop traditions and gives them a chance to tell a meaningful story rather than simply execute vocal technique.

How to get the most out of it

  • Emphasize the conversational quality of the opening verses. The story should feel like someone sharing a memory, not delivering a performance.
  • Shape the phrasing around the natural cadences of speech; let the lyrics breathe rather than strictly metering every syllable.
  • Bring clarity to any part divisi sections by assigning singers strategically so blend remains unified even when parts separate.
  • Use the recorded accompaniment to anchor your ensemble's tempo, but ensure singers still own the lyrical phrasing independent of strict rhythmic precision.

How to use it

"Mr. Bojangles" fits naturally into a concert celebrating American songwriting or the folk-pop tradition of the 1960s. Consider programming it alongside other narrative-driven pieces to showcase your choir's ability to connect lyrical content with musical expression. It also works as a standalone feature that invites the audience into a well-loved story.

Skills your students will build

  • Maintaining rhythmic ease and conversational phrasing in a melodically straightforward arrangement
  • Blending three-part mixed voicing while preserving part independence
  • Interpreting and conveying narrative meaning through choral storytelling
  • Working with recorded accompaniments to support ensemble cohesion

You May Also Like