Moore Street Rag: Concert Band Conductor Score & Parts

Hodges writes with a keen sense of what young musicians genuinely enjoy playing. The trombone features and syncopated layering give every section meaningful material, while the Grade 1.5 difficulty level means your band can nail the articulation and style without drowning in technical complexity. Ragtime's infectious energy translates immediately to audience engagement, and the steady bass line gives developing rhythm sections something substantial to anchor.

An energetic stride down a bustling street lined with honest, toe-tapping music. The syncopated melodies bounce and weave while the foundational bass line keeps everything grounded, creating a piece that sounds confident and fun without ever feeling overwrought.

Young concert bands working at Grade 1.5 who are ready to explore syncopated ensemble writing without excessive technical demands. Directors seeking repertoire that teaches rhythmic independence and style while keeping students engaged through accessible, entertaining material.

• Establish the swing feel early in rehearsal by isolating the syncopated melodies with just the low brass and woodwind section, then layer in the counter melodies once the rhythmic foundation is solid.
• Mark articulation patterns clearly in parts before the first full rehearsal; the chromatic motives demand precision, and consistency across similar figures prevents them from sounding muddy.
• Have the trombone section mark their prominent passages with dynamic contrasts so the initial melody cuts through while still balancing with the rest of the band.

Program this as a second-half opener to shift energy after a more serious opening work, or pair it with other light concert selections to create a novelty-themed set that showcases your band's range. The accessible difficulty makes it ideal for winter or spring concerts where you want material that both your musicians and audience will enjoy in equal measure.

• Syncopated rhythm reading and execution across multiple instrumental lines
• Articulation clarity and precision on chromatic passages
• Independent rhythmic reading (steady bass lines while others play syncopated figures)
• Trombone feature playing and balancing melody with ensemble texture
• Ragtime style interpretation and swing feel