Moonlight Masquerade Cover Image

Moonlight Masquerade: Full Orchestra Conductor Score & Parts

$55.00 USD
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Moonlight Masquerade Cover Image

Moonlight Masquerade: Full Orchestra Conductor Score & Parts

By Albert O. Davis

Grade: 3.5

Item: 36-20200309

$55.00
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Description
Reminiscent of the work of Leroy Anderson, Moonlight Masquerade is an evocative, enjoyable waltz from the pen of Albert Oliver Davis. A master of many styles, the composer captures the grandeur and elegance of the classic ballroom, the uplifting spirit of the great waltz composers, and the mystery and magic of a masked ball. Let your interpretive spirit loose and let your orchestra dance and sing the joy of this gem of the ball. Albert Oliver Davis (an excellent dancer himself) makes the waltz fresh and exciting again. An arrangement for concert band by Gene Milford is also available from the publisher.

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Additional Details
Series: Great Works Publishing - LudwigMasters
Publisher: Keiser Productions, Inc.
UPC: 612735581879
SKU: 36-20200309
Instrumentation: 2.2.2+1(BCl).2: 4.3.3.1: Timp.Perc(4): Str

More about this title

About the Composer: Albert O. Davis

Albert O. Davis is a versatile composer with deep roots in American light classical and popular music traditions. His facility across multiple idioms, from waltzes to film scores to educational works, reflects both technical mastery and a genuine gift for melody that resonates with performers and audiences alike. Davis brings not only compositional skill to his work but also lived experience as a dancer, which infuses his rhythmic writing with an authenticity that conductors and players immediately recognize.

This background as a dancer informs everything about Moonlight Masquerade. Rather than treating the waltz as a historical artifact, Davis updates the form with contemporary harmonic language while preserving the genre's essential character. His orchestrations are idiomatic and grateful, written with clear understanding of what each section can do and how to feature ensemble voices effectively.

Why we love this

Davis revitalizes the waltz idiom with genuine orchestral color and theatrical flair, avoiding pastiche while honoring the form's ballroom heritage. The 3.5 grade level makes sophisticated waltz writing accessible to developing orchestras, and the built-in storytelling of a masked ball gives musicians something dramaturgically compelling to play toward. A conductor gets real interpretive choices here: you can lean into the mystery and elegance, or bring out the dance-floor joy, or find the tension between both.

What to expect

Candlelit ballrooms and silk masks, the thrill of dancing with someone whose identity remains pleasantly uncertain. The music holds both elegance and intrigue: graceful, buoyant, occasionally mysterious, always romantic. It's the ballroom as a place of transformation and play, not stiffness or nostalgia.

Who it's for

Orchestras at the 3.5 level seeking music that feels substantial and theatrical without requiring advanced technique. This works equally well for community orchestras wanting accessible waltz repertoire with personality, or school orchestras looking for a program piece that appeals to performers and audiences alike.

How to get the most out of it

  • Shape the melodic lines with the clarity and lift of a live ballroom, treating phrase peaks as moments of flourish rather than architectural climax. String sections can lead this expression; winds support and color.
  • Let the waltz pulse sit slightly forward in the ensemble's energy without pushing tempo. The piece breathes best when dancers feel invited to move, not mechanically conducted.
  • Balance the mystery suggested by the title against the inherent optimism of the waltz form. Dynamics and instrumental phrasing can hint at the masked identities without undermining the music's fundamental warmth.
  • Bring the percussion and timpani into ensemble conversation early. Their rhythmic clarity anchors the dancers and prevents the 3/4 from feeling slack in younger orchestras.

How to use it

Program this alongside other character pieces or pops repertoire to give your concert an evening-wear sophistication. It pairs well with lighter classical selections and offers a natural centerpiece for a spring concert or holiday celebration. The piece also serves as an excellent vehicle for exploring orchestration and interpretation without the technical demands of standard symphonic literature.

Skills your students will build

  • Maintaining steady waltz pulse (3/4) across sections with independent rhythmic responsibilities
  • Balancing multiple melodic layers and harmonic accompaniment typical of orchestral writing
  • Reading and responding to conductor interpretation across an ensemble
  • Coordinating string legato with wind and percussion articulation in a dance context
  • Shaping musical phrases to communicate narrative (mystery, celebration, elegance)

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