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Moonlight: PianoTrax Digital Audio Download

$9.99 USD
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Moonlight Cover Image

Moonlight: PianoTrax Digital Audio Download

Words by Emily Brontë, music by Mark Burrows

Item: 00-A-00016335

$9.99
Digital Download
Description

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
SKU: 00-A-00016335

More about this title

About the Composer: Mark Burrows

Mark Burrows

Mark Burrows composes for ensembles across the entire age and experience spectrum, from children's choirs to adult festival groups. His music appears consistently on state and festival selection lists, and he fields multiple commissions annually from diverse conducting programs. He earned his undergraduate degree in music education from Southern Methodist University and completed graduate studies in conducting at Texas Christian University.

Based in Fort Worth, Texas, Burrows serves as Director of Children's Ministries at FUMC, a role that directly informs his understanding of what singers need musically and spiritually. He is published by major houses and continues to be an active voice in contemporary choral writing.

Why we love this

Burrows crafts singable, expressive writing that respects both the poetry and the voices performing it. The recorded accompaniment lets you hear the piece in context immediately, which is invaluable for planning rehearsal strategies and helping singers understand their part within the whole texture.

What to expect

The piece unfolds with quiet intensity, drawing listeners into a reflective emotional space. Moonlight evokes intimacy and wonder through clear harmonic language and text-driven phrase architecture.

Who it's for

This work suits treble choirs, mixed choirs, and ensemble groups preparing for concert or festival performance. Both experienced and developing singers will find accessible, rewarding material in Burrows's direct yet imaginative writing.

How to get the most out of it

  • Set the recorded accompaniment at a level that supports without overwhelming the choir during early rehearsals, then gradually reduce it as your singers internalize the harmonic foundation.
  • Shape the phrases according to the literary text; mark breath points where the poetry naturally pauses rather than where the measures suggest.
  • Balance treble and lower voices carefully in unison or octave passages to ensure the melody reads clearly without one part dominating.
  • Use the accompaniment as a reference for tempo and stylistic approach, but allow your interpretation of the text to guide rubato and dynamic shape.

How to use it

Pair this with other contemporary choral works for a thematic concert on natural imagery or introspection. Its moderate length and concert-ready character make it ideal for spring festival programming or as a reflective anchor piece between energetic selections.

Skills your students will build

  • Singing from recorded accompaniment with rhythmic independence
  • Shaping phrases according to poetic text rather than musical meter alone
  • Balancing parts in close harmonic writing
  • Interpreting contemporary choral literature with expressive musicality

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