Moondance Cover Image

Moondance: Jazz Ensemble Conductor Score & Parts

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Moondance Cover Image

Moondance: Jazz Ensemble Conductor Score & Parts

Words and music by Van Morrison / arr. Victor López

Grade: 2 (Medium Easy)

Item: 00-JEM04027

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Description
Van Morrison's hit arranged for the young player sounds hipper than ever! The swing groove sounds cool as the melody goes through the sections of the band---sometimes unison, sometimes in harmony, it sticks with you. The solo section is written for all the wind players so you can pick anyone/everyone to play the written or ad lib solo. Easy to rehearse, this is a sure-fire winner that will be well received by the band and audience. (3:35)

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Additional Details
Series: Young Jazz Ensemble
Publisher: Alfred Music
Page Count: 90
ISBN10: 0-7579-3529-X
ISBN13: 978-0-7579-3529-9
UPC: 654979074335
SKU: 00-JEM04027

More about this title

About the Composer: Van Morrison

Van Morrison is a Northern Irish singer-songwriter whose career spans six decades and encompasses rock, soul, R&B, and folk influences. His 1970 album "Moondance" established him as a major creative force, blending sophisticated arrangements with emotionally direct songwriting. Morrison's work has become a staple of contemporary music education, valued for its accessibility and genuine musicality.

Why we love this

Victor López's arrangement captures the effortless cool of the original while making it genuinely playable for young ensembles. The melody's natural flow through different sections keeps players engaged, and the flexible solo section lets you feature soloists strategically or let the whole ensemble shine without creating rehearsal headaches.

What to expect

Smooth, unhurried, and breezy. The arrangement glides over a steady swing foundation with the kind of melodic generosity that makes even young players feel like they're swinging. It's the sound of a late-night jam session translated into a piece that doesn't require professional chops to pull off.

Who it's for

Young jazz ensembles at the intermediate level who are ready to tackle a recognizable, groovy standard without wrestling with complex harmony or virtuosic technique. Directors looking for repertoire that builds student confidence and gets genuine applause.

How to get the most out of it

  • Let the rhythm section lock the swing feel first before adding the melody sections. A relaxed, behind-the-beat pocket makes the groove sound authentic.
  • Adjust solo assignments to match your roster's strengths. Even if players read the written solo, some will shine more in ad lib territory, so rehearse both approaches.
  • Keep the ensemble entrances clean by anchoring them to the rhythm section rather than a conductor click. This builds the band's listening skills and makes transitions feel organic.

How to use it

Use this as a concert closer or feature it in a jazz-meets-popular-standards set where it can bridge the gap between what listeners know and what student musicians can perform with pride. The familiar melody and upbeat reception make it ideal for spring concerts or informal performance settings where engagement matters as much as technical display.

Skills your students will build

  • Reading and performing swing rhythms and interpretation
  • Ensemble balance between melody and harmony voices
  • Solo improvisation (ad lib) alongside written melodies
  • Listening and responding to rhythm section cues
  • Sectional independence within a unified ensemble sound

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