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Modern Guitar Styles: Guitar Book & CD

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Modern Guitar Styles Cover Image

Modern Guitar Styles: Guitar Book & CD

Ein Arbeitsbuch zum Lernen, Spielen und Improvisieren

By Frank Haunschild

Item: 01-ADV10011

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Description
Modern Jazz Guitar Styles stellt ein Konzept zur Vermittlung von musikalischem Vokabular im Bereich Jazz und jazzverwandter Musik vor.

Die Eigenheiten der einzelnen Stilrichtungen werden aus der Sicht des Gitarristen behandelt, so dass der Lernende in die Lage versetzt wird, stilistische Vielfalt zu entwickeln.

Die Grundlagen der Improvisation werden anhand der sorgfältig zusammengestellten Übungsstücke spielerisch erlernt. Diese können mit der beiliegenden CD gespielt werden. Hierbei kann der Leser anhand der zahlreichen Notenbeispiele und Griffdiagramme genau verfolgen, wie die verschiedenen Stücke auf der CD gespielt werden. Im einzelnen wird bei jedem Stück auf Rhythmik, Harmonik, Akkorde, Begleitung, Melodie, Form und Improvisation eingegangen.

Die CD enthält elf Kompositionen des Autors, die verschiedene rhythmische, harmonische und stilistische Bereiche in verschiedenen Tonarten abdecken. Die behandelten Stilrichtungen umfassen Blues in Dur und Moll, Bossa Nova, Samba, Swing, Salsa, Fusion und Modern Jazz.

Bei der Arbeit mit der CD lassen sich die auf verschiedenen Stereo-Kanälen eingespielten Melodie- und Rhythmusgitarren mit Hilfe des Balance-Reglers ausblenden. Zusätzlich sind fünf Kompositionen in zwei Versionen vorhanden: einerseits mit Melodie- und Begleitgitarre, und andererseits ohne Gitarren. Mit diesen Aufnahmen kann das Spielen in einem Trio perfekt simuliert werden.

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Additional Details
Series: Advance Music
Publisher: Advance Music
ISBN10: 3-892210-45-4
ISBN13: 978-3-892210-45-0
UPC: 805095100112
SKU: 01-ADV10011

More about this title

About the Author: Frank Haunschild

Frank Haunschild is a guitarist and pedagogue known for developing systematic approaches to jazz guitar education. His work bridges the gap between classical instrumental training and the improvisational demands of jazz, making stylistic vocabulary accessible through carefully sequenced repertoire and detailed analytical commentary.

Why we love this

This book cuts through the usual abstractions of jazz instruction by grounding every concept in actual guitar voicings, rhythmic feels, and harmonic movement. The inclusion of stereo-separated tracks lets players isolate the rhythm section or melody line, creating genuine play-along scenarios rather than just passive listening. It's rare to find a resource that covers this much stylistic ground (Blues, Bossa Nova, Samba, Swing, Salsa, Fusion, and Modern Jazz) while maintaining pedagogical clarity about what makes each style distinctive.

What to expect

Working through these pieces offers the satisfaction of watching abstract jazz concepts take tangible form under your fingers. The recorded examples bring immediacy and authenticity to the page; you hear how swing feels different from bossa nova, how salsa demands a distinct comping approach, and how fusion blurs stylistic boundaries.

Who it's for

This book serves intermediate to advanced jazz guitarists who want to move beyond single-style vocabulary and build fluency across multiple jazz-related idioms. It's also valuable for guitar teachers seeking a structured resource that demonstrates how different rhythmic and harmonic approaches define individual styles.

How to get the most out of it

  • Use the balance control to isolate the rhythm guitar parts when you're first learning a piece; this reveals how comping patterns anchor each style's rhythmic character.
  • Study the notation examples and chord diagrams alongside the recorded versions to see exactly how the composer voices changes and moves within phrases.
  • Take advantage of the alternate mixes (guitar-free tracks) to simulate ensemble playing and develop your ability to respond to the rhythm section's timekeeping and groove.
  • Focus on one style at a time rather than cycling through all of them; the harmonic and rhythmic logic within each genre deserves sustained practice before moving on.

How to use it

Use this as a core resource in a jazz guitar elective or studio curriculum, assigning one style per week or month depending on the semester length. The portfolio of eleven compositions and their stylistic variety makes this ideal for building student awareness of jazz's breadth while maintaining focus on guitar-specific technique and voicing.

Skills your students will build

  • Recognizing and executing rhythmic feels across Blues (major and minor), Bossa Nova, Samba, Swing, Salsa, Fusion, and Modern Jazz
  • Voicing jazz chords and understanding how harmonic movement differs by style
  • Comping patterns and rhythm guitar accompaniment appropriate to each idiom
  • Melodic phrasing and call-and-response with recorded ensembles
  • Improvisation within stylistically appropriate harmonic and rhythmic frameworks
  • Listening and transcription skills through detailed notation and stereo-separated recording mixes

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