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Mississippi Suite: Full Orchestra Score

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Mississippi Suite Cover Image

Mississippi Suite: Full Orchestra Score

By Ferde Grofé

Item: 36-A929101

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Description
Ferde Grofe's (1892-1972) Mississippi Suite depicts scenes along a journey down the Mississippi River, from its headwaters of Minnesota down to New Orleans. The work was composed in 1926 and first performed that year by Paul Whiteman's Orchestra in New York City. Later, American lyricist Harold Adamson wrote words to the music from the ballad theme of the suite's final movement. The resulting song was called "Daybreak." In July 1942, it was recorded and released by Harry James, Jimmy Dorsey, and Tommy Dorsey. All three versions made the top 20 in the National Best-Selling charts, with Tommy Dorsey and his vocalist, Frank Sinatra, peaking at number 10 in October. Sinatra later recorded it along with many of his 1940's hits on his 1961 reprise album, I Remember Tommy. Movements: 1. Father of Waters, 2. Huckleberry Finn, 3. Old Creole Days, 4. Mardi Gras. Instrumentation: 2+Picc.3 (3rd d. EH).2+BCl.2+CBsn: 4.3.3 (3rd BTbn).1: Timp.Perc(4).Clst.Hp: Str (9.8.7.6.5 in set). The popular fourth movement, "Mardi Gras," is also available separately as a standalone extracted item.

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
ISBN10: 1-63887-491-3
ISBN13: 978-1-63887-491-1
UPC: 735816222536
SKU: 36-A929101
Instrumentation: 2+Picc.3 (3rd d. EH).2+BCl.2+CBsn: 4.3.3 (3rd BTbn).1: Timp.Perc(4).Clst.Hp: Str (9.8.7.6.5 in set)

More about this title

About the Composer: Ferde Grofe

Ferde Grofé (1892, 1972) was an American composer and arranger who brought the sound of the American landscape to concert stages. Born in New York, he became known for his "descriptive" orchestral works that captured regional character and natural scenery, often incorporating folk idioms and jazz influences into the concert repertoire. His arrangements for Paul Whiteman's orchestra helped legitimize jazz in classical spaces during the 1920s, and his original compositions earned him a place in American music history beyond the dance hall.

Why we love this

Grofé gives orchestras a rare chance to perform a major twentieth-century American work with genuine narrative arc and memorable themes. The four movements each have distinct musical personalities, making the piece engaging for both performers and audiences while remaining accessible without sacrificing orchestral color or craft. The fact that its final movement inspired a standard recorded by Sinatra and the Dorseys connects your concert directly to American popular music history.

What to expect

A postcard come to life. Grofé moves from misty Minnesota origins through frontier adventure to the sultry, syncopated celebration of New Orleans, painting with orchestral color rather than heavy drama. The music swings without apology, blending impressionistic harmony with ragtime energy in a way that feels utterly American and deeply romantic.

Who it's for

Full orchestras with at least 50 players and the capacity to field four percussionists. The work is manageable for strong high school orchestras and essential repertoire for college and professional ensembles. Directors seeking American twentieth-century music that connects to the concert tradition without requiring experimental techniques or extreme ranges will find this score both rewarding and practical.

How to get the most out of it

  • Shape each movement as a separate portrait rather than rushing between them. The harmonic language shifts noticeably from the Mississippi's headwaters (pastoral, open) to the urban energy of Mardi Gras, so let those transitions breathe.
  • Lock the percussion section early. Grofé's orchestration relies on clear rhythmic articulation, especially the timpani figures that anchor the jazz-influenced passages in the final movement.
  • Encourage the woodwinds to find character in the folk-like melodies scattered throughout. These aren't ornamental; they're the voice of the river itself.
  • Balance the harp and piano in the accompaniment texture. Both instruments have moments where they anchor the harmony, and blending them properly will open up the orchestration considerably.

How to use it

Program the full suite as a centerpiece to an American composers concert, or extract "Mardi Gras" as a standalone closer. The narrative journey works beautifully as the second half of an all-Grofé program, and the suite's moderate difficulty level makes it suitable for mid-season performance after orchestras have built technical confidence.

Skills your students will build

  • Balancing homophonic and polyphonic textures in twentieth-century idiom
  • Reading jazz-influenced rhythmic notation and syncopation
  • Executing clear articulation and phrasing in folk-like melodic material
  • Coordinating with multiple percussion parts and harp accompaniment
  • Understanding harmonic language that blends impressionism with functional tonality

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