Mirror Lake Cover Image

Mirror Lake: Euphonium B.C. Solo and Piano Book

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Mirror Lake Cover Image

Mirror Lake: Euphonium B.C. Solo and Piano Book

By Edward Montgomery

Grade: 3

Item: 36-10540428

$6.99
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Description
Mirror Lake is a place of serenity and great beauty on the Ohio State University campus.  A recording is available featuring the Ohio State University Concert Band and euphonium soloist Dr. Paul Droste.  Piano reductions for euphonium and trumpet are available from the publisher along with the band accompaniment set.

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Additional Details
Series: LudwigMasters Brass Series
Publisher: Keiser Productions, Inc.
ISBN10: 1-63361-631-2
ISBN13: 978-1-63361-631-8
UPC: 660355049378
SKU: 36-10540428
Instrumentation: Euphonium B.C. Solo and Piano

More about this title

Why we love this

Montgomery captures genuine stillness without sacrificing musical interest. The piece sits comfortably in Grade 3 for both soloist and accompanist, making it accessible for developing euphonium players who are ready to move beyond purely technical repertoire into expressive, lyrical writing.

What to expect

A quiet walk along reflective water; the music inhabits a serene, contemplative space that honors both the beauty of the location and the inherent warmth of the euphonium voice. Moments of gentle expansion emerge without disrupting the overall sense of calm clarity.

Who it's for

Euphonium players at the intermediate level looking for repertoire that develops musicality and expression. Soloists preparing for recitals or contests will find an accessible vehicle for demonstrating control and lyricism without navigating extreme technical demands.

How to get the most out of it

  • Shape the melodic line with consistent air support; the serenity of the piece depends on singing tone rather than assertive phrasing.
  • Coordinate dynamics with the pianist to create a unified soundscape; Mirror Lake works best when soloist and accompaniment breathe as one entity.
  • Give yourself time to settle into the opening statement before building into fuller passages; resist the urge to rush quiet, reflective music.

How to use it

Program this as a recital centerpiece for a developing soloist, or include it in a band concert as a solo feature that offers textural contrast to more energetic works. Its accessibility makes it an ideal choice for young euphonium players making their first significant solo appearance.

Skills your students will build

  • Sustaining lyrical phrasing over longer melodic arcs
  • Dynamic control and shaping in quiet, introspective passages
  • Ensemble balance and coordination with accompanist
  • Expression and musical interpretation at an intermediate level

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