Metal Bell Carol Cover Image

Metal Bell Carol: Full Orchestra Conductor Score & Parts

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Metal Bell Carol Cover Image

Metal Bell Carol: Full Orchestra Conductor Score & Parts

Arranged by Brian Balmages

Grade: 3

Item: 00-52142

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Description
Hold onto your seats with this explosive, heavy metal-inspired holiday spectacular! Metal Bell Carol by Brian Balmages uses original material interwoven with "Ukrainian Bell Carol" and hints of "We Three Kings." Using optional electric guitar and bass, this work is destined to be the ultimate closer for holiday programs everywhere! Highlight student talent, or bring in a faculty member or your local guitar hero, to do some shredding! (3:15)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Metal Bell Carol: Full Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: MakeMusic Full Orchestra
Publisher: MakeMusic Publications
ISBN10: 1-4706-8420-9
ISBN13: 978-1-4706-8420-4
UPC: 038081617497
SKU: 00-52142

More about this title

About the Arranger: Brian Balmages

Brian Balmages

Brian Balmages has built an international reputation as a composer and conductor working across orchestral, band, and chamber idioms. His music has been heard at Carnegie Hall, the Kennedy Center, Sydney Opera House, and countless school venues, performed by everyone from professional symphony orchestras to elementary ensembles. He received the A. Austin Harding Award from the American School Band Directors Association, won the 2020 NBA William D. Revelli Composition Contest for Love and Light, and holds membership in the American Bandmasters Association.

Balmages has conducted all-state and regional ensembles, university orchestras, and professional groups worldwide, with notable guest conducting appearances at the Midwest Clinic, Western International Band Clinic, and the College Band Directors Conference. He received the inaugural James Madison University Distinguished Alumni Award and was commissioned by the University of Miami to compose music for the inauguration of the institution's sixth president. His work was performed as part of the 2013 Presidential Inaugural Prayer Service. He currently serves as Director of MakeMusic Publications and Digital Education for Alfred and MakeMusic.

Why we love this

Balmages knows exactly how to end a holiday concert with maximum impact. The collision of heavy metal energy with beloved carols creates genuine surprise and delight in the audience, and the optional electric guitar and bass parts give you flexible casting options that can spotlight student soloists or accommodate a guest musician. It's sophisticated enough for a substantial closer but short enough (3:15) to fit any program without sacrificing other repertoire.

What to expect

Metal Bell Carol launches into a high-octane holiday experience that feels utterly modern and irreverent. The mashup of familiar carols with hard rock sensibilities creates a thrilling sonic collision, complete with heavy percussion, driving rhythms, and the signature shimmer of bells cutting through layers of distortion and energy.

Who it's for

Full orchestras at the middle school, high school, and early collegiate levels looking for a show-closing holiday piece that energizes both performers and audience. Directors seeking to program contemporary holiday music that breaks the traditional mold while remaining accessible at Grade 3 will find this particularly valuable.

How to get the most out of it

  • Build the electric guitar and bass parts into your rehearsal planning early. Even if you're using faculty or a guest musician, these players need integration time with the full orchestra to nail the rhythmic precision the metal style demands.
  • Lock the percussion section and electric bass together; they drive the groove. The success of the heavier passages rests entirely on their coordination.
  • Let the string section lean into the rhythmic articulation during the metal sections rather than playing with traditional legato. This approach bridges the instrumental voices and prevents the piece from sounding fragmented.
  • Balance the optional electric instruments so they anchor the sound without overwhelming the acoustic orchestra. These parts should feel like the engine of the arrangement, not a separate layer.

How to use it

This is ideal as the final piece on a holiday concert, where it can send audiences out buzzing with excitement after a program of more traditional selections. The energy and novelty make it perfect for closing a winter concert without needing to return to a classical encore, and the optional electric elements allow you to feature soloists whether they're students or visiting musicians.

Skills your students will build

  • Rhythmic precision in driving rock and metal grooves
  • Balance between acoustic and amplified instruments
  • Coordination across multiple stylistic idioms within one work
  • Ensemble synchronization with optional electric guitar and bass parts
  • Dynamic control in high-energy contemporary arrangements

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