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Merry Gentlemen: Jazz Ensemble Conductor Score & Parts

$47.00 USD
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Merry Gentlemen Cover Image

Merry Gentlemen: Jazz Ensemble Conductor Score & Parts

Traditional / arr. Greg Nielsen

Grade: 1.5

Item: 00-51894

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Description
A holiday swing chart on this classic, performed around 130 BPM, with suggested solos written for alto 1, trumpet, 1, tenor 1, and trombone 1. Easy brass ranges with a shout chorus that modulates to A-flat with a clever glissando for trombones into the new key. Nice chart for the holidays. (3:40)

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Additional Details
Series: First Year Charts for Jazz Ensemble
Publisher: Alfred Music
ISBN10: 1-4706-7727-X
ISBN13: 978-1-4706-7727-5
UPC: 038081599441
SKU: 00-51894

More about this title

Why we love this

Greg Nielsen knows how to write for young jazz ensembles without sacrificing swing feel or character. The solo spots are genuine musical moments, not afterthoughts, and the modulation to A-flat with that trombone glissando is the kind of detail that makes students remember why they joined jazz band.

What to expect

Bright, buoyant holiday swing with a touch of sophistication. The arrangement settles into an easy groove that feels less like work and more like celebration, then surprises you with a key change that lands with personality and purpose.

Who it's for

First-year jazz ensemble programs and groups building confidence with accessible swing charts. Directors seeking holiday repertoire that teaches jazz vocabulary and ensemble listening without overwhelming younger or less experienced players.

How to get the most out of it

  • Keep the swing eighth-note feel relaxed and bouncy around 130 BPM. Lock in the rhythm section early and have them establish the groove before the horn lines enter.
  • The shout chorus benefits from clean articulation and ensemble precision. Rehearse the brass as a section first to nail the rhythmic unison before blending with reeds.
  • The trombone glissando into A-flat should sound smooth and intentional, not accidental. Have your lead trombone practice the slide at tempo so it lands cleanly on beat one of the new key.
  • Solo sections shine when you give students ownership. Let your alto 1, trumpet 1, tenor 1, and trombone 1 players develop their own interpretations within the suggested framework.

How to use it

Perfect for a winter concert where you want jazz energy without complexity. Pair it with one or two other swing standards to build a cohesive set, or use it as an encore that sends the audience out smiling. At under four minutes, it fits nicely into tight concert schedules.

Skills your students will build

  • Reading and executing swing eighth-note feel at tempo
  • Trading solos and responding to ensemble cues
  • Navigating key modulation and reorienting to a new tonal center
  • Glissando technique (trombones) and smooth transitions between registers
  • Balancing solo voice with ensemble texture

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