Merry Christmas, Mozart: SATB Choral Octavo
Arr. Jay Althouse
Item: 00-PO-0002898
Minimum order quantity: 20 copies
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About the Arranger: Jay Althouse

Jay Althouse studied music education and music at Indiana University of Pennsylvania, where he later received the Distinguished Alumni award. His career in music publishing gave him eight years of experience in rights and licensing, during which he served on the Executive Board of the Music Publishers Association of America.
As a composer, Althouse has created more than 800 choral works performed across the English-speaking world. He holds membership in ASCAP and has been a regular recipient of the ASCAP Special Award. Beyond composition, he has co-written children's musicals with Sally K. Albrecht, compiled vocal solo collections, authored music education books including The Complete Choral Warm-up Book and Accent on Composers, and contributed articles to the Folk Art Messenger. He served on the board of the North Carolina Master Chorale and presently advises the National Folk Art Society of America.
Why we love this
Althouse threads together Mozart's most recognizable melodies with beloved Christmas carol texts, creating an arrangement that works as both a novelty and a genuine teaching tool. Your singers get to perform genuine Mozart while audiences enjoy the humor and charm of familiar holiday lyrics paired with classical themes. The SoundTrax accompaniment delivers professional orchestration, making this feel like a legitimate concert piece rather than a gimmick.
What to expect
Merry Christmas, Mozart sparkles with wit and charm. The arrangement honors Mozart's elegant melodic sensibility while wrapping it in the warmth and accessibility of Christmas carols, creating something that feels both playful and genuinely musical. Your choir will enjoy the familiar comfort of the holiday texts paired with the delight of recognizing famous classical themes.
Who it's for
This octavo works for choirs that want to program something spirited and educational in their holiday concert. It suits singers at intermediate to advanced levels who can handle the musical sophistication of Mozart's work while maintaining the character expected of a Christmas novelty. Directors looking to sneak some music history into their December concert will find this both entertaining and substantive.
How to get the most out of it
- Balance the text clarity with the melodic lines. Since these are Mozart themes with new Christmas lyrics, singers need to articulate the words while respecting the composer's original phrasing and contour.
- Use the recorded accompaniment to lock ensemble attacks and cutoffs, especially during the orchestrated transitions between carol segments.
- Rehearse each carol section as a distinct musical idea before connecting them; this helps singers understand the arrangement's structure and prevents a rushed or scattered feel.
- Highlight the clever moments where the musical setting enhances the humor. Conductor's choices about tempo flexibility and dynamic contrast will make those moments land with your audience.
How to use it
Open your holiday concert with this piece to set a lighter, entertaining tone before moving into more traditional sacred or seasonal repertoire. It also works beautifully as a closing number if you want to send the audience out smiling. Consider programming it alongside other masterwork arrangements or novelties to showcase your ensemble's range and versatility.
Skills your students will build
- Recognizing and performing famous Mozart themes in a new context
- Balancing lyrical clarity with classical melodic style
- Understanding how arrangers adapt existing music for new purposes
- Reading and performing SATB harmony in a secular, jubilant setting