Merry Christmas, Mozart Cover Image

Merry Christmas, Mozart: 2-Part Choral Octavo

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Merry Christmas, Mozart Cover Image

Merry Christmas, Mozart: 2-Part Choral Octavo

Arr. Jay Althouse

Item: 00-21696

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Description
It's "the merry melodies and charming harmonies of Wolfgang Amadeus Mozart," cleverly strung together with lyrics from traditional Christmas carols. "Deck the Hall," "Jolly Old Saint Nicholas," "Fum, Fum, Fum," and "We Wish You A Merry Christmas" (to name a few) are set to some of Mozart's most famous themes. Humorous and classic. Don't miss this opportunity to teach some music history in your choral rehearsals. The fully orchestrated SoundTrax adds a professional quality.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081210896
SKU: 00-21696

More about this title

About the Arranger: Jay Althouse

Jay Althouse

Jay Althouse studied Music Education at Indiana University of Pennsylvania, where he earned both his B.S. and M.Ed., and later received the school's Distinguished Alumni award. His eight-year tenure as a rights and licenses administrator at a major educational publisher gave him deep insight into how music reaches classrooms, and he served on the Executive Board of the Music Publishers Association of America during that period.

As a composer, Althouse has over 800 choral works in print across all skill levels, performed widely throughout English-speaking countries. His output spans children's musicals (co-written with Sally K. Albrecht), vocal solo collections like Folk Songs for Solo Singers, and pedagogical resources including The Complete Choral Warm-up Book and Accent on Composers. He is a writer member of ASCAP and a regular recipient of the ASCAP Special Award. Althouse serves on the National Advisory Board of the Folk Art Society of America and resides in North Carolina.

Why we love this

Althouse strikes a genuine balance between humor and substance here. Rather than simply layering Christmas lyrics onto Mozart themes, he uses the juxtaposition as a teaching tool, letting students hear how the same musical material works in completely different contexts. The arrangement respects both the Mozart and the carols without winking at the audience.

What to expect

Sophisticated fun. There's a playful intelligence in hearing "Deck the Hall" emerge from a Mozart phrase, and the orchestration wraps everything in genuine warmth rather than novelty noise. Students and audiences alike respond to the cleverness without feeling talked down to.

Who it's for

Directors seeking a concert-worthy piece that teaches music history without sacrificing musical substance. This works for intermediate choirs with secure singers who can sustain independence; the 2-part voicing keeps rehearsal time reasonable while the Mozart connection elevates the repertoire beyond typical seasonal fare.

How to get the most out of it

  • Isolate the Mozart themes first in rehearsal without the text. Once singers own the melody, adding lyrics becomes straightforward, and the 'aha' moments of recognition land better in performance.
  • The SoundTrax recording should guide tempo and style early on, but push your singers toward independence. The orchestration is professional enough that they'll naturally settle into a more refined sound when you're ready to perform live.
  • Balance the novelty with clarity. These melodies are famous for a reason. Make sure harmonic parts aren't obscuring the tune, especially in the 2-part texture where doubling is minimal.

How to use it

Program this during the second half of a holiday concert, after you've established a more traditional tone with serious repertoire. The piece works as a programming pivot point that lets audiences hear classical music through a fresh lens while signaling that your choir has both depth and wit. It's also strong enough to carry a standalone holiday show without additional seasonal pieces.

Skills your students will build

  • Recognizing Mozart's compositional style and signature melodic gestures
  • Performing in 2-part voicing with independence and blend
  • Understanding how identical melodies function in different harmonic and textual contexts
  • Sight-reading arrangements of familiar tunes with unfamiliar harmonic settings

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