Memorial to Lidice (Pamatnik Lidicim), H. 296 Cover Image

Memorial to Lidice (Pamatnik Lidicim), H. 296: Full Orchestra Conductor Score

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Memorial to Lidice (Pamatnik Lidicim), H. 296 Cover Image

Memorial to Lidice (Pamatnik Lidicim), H. 296: Full Orchestra Conductor Score

By Bohuslav Martinu

Item: 36-A720601

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Description
Památník Lidicím (Memorial to Lidice), H. 296 was written by Bohuslav Martinu (1890-1959) within a few days in August of 1943 at Darlen (Connecticut, USA), under the impression of the horrible news which announced the extermination of the Czechoslovak village Lidice (near Prague) by the NAZIs. The composition was first performed on October 2, 1943, at the Carnegie Hall, New York, by the New York Philharmonic Orchestra under Artur Rodzinski, at the celebration of the 25th anniversary of the Czechoslovak Republic. The first performance in Prague was conducted by Rafael Kubelik on March 14, 1946, when the Czech Philharmonic Orchestra played it on the eve of the seventh anniversary of the German occupation of Czechoslovakia. Instrumentation: 3.2+1(EH).3.2: 4.2.3.1: Timp,Perc(2): Hp.Pno: Str (9.8.7.6.5 in set). Reprint edition.

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
ISBN13: 979-8-898106-45-4
UPC: 605258916204
SKU: 36-A720601
Instrumentation: 3.2+1(EH).3.2: 4.2.3.1: Timp,Perc(2): Hp.Pno: Str (9.8.7.6.5 in set)

More about this title

About the Composer: Bohuslav Martinu

Bohuslav Martinu (1890, 1959) was a Czech composer of remarkable versatility and output, working fluently across symphonies, concertos, operas, and chamber music. His style blended modernist techniques with folk-influenced melodies and rhythmic vitality, rooted in his deep connection to Czech musical traditions. During World War II, Martinu lived in exile in the United States, where he remained intensely engaged with events in his occupied homeland, channeling that anguish into works of profound political and emotional weight.

Memorial to Lidice stands among his most direct statements on human suffering and collective tragedy. Composed in the immediate aftermath of learning about the Nazi destruction of the village of Lidice in June 1943, the piece captures both rage and mourning with unflinching honesty. Its premiere at Carnegie Hall under Artur Rodzinski brought international attention to the atrocity, making the work a historical document as much as a musical one.

Why we love this

This score documents a pivotal moment in 20th-century music history, where a major composer responded immediately and unflinchingly to atrocity. The orchestration is masterfully balanced across the full ensemble, giving every section meaningful material while maintaining dramatic coherence. For conductors seeking repertoire that combines serious historical weight with genuine musical substance, Memorial to Lidice delivers on both counts.

What to expect

The work unfolds with urgent intensity, moving between moments of raw anguish and defiant determination. Martinu's orchestral colors shift between dark, densely layered passages and stark, exposed moments of transparency, creating a sense of struggle and testimony that refuses easy resolution.

Who it's for

This score is essential for conductors leading advanced amateur orchestras, university orchestras, and professional ensembles with the technical capacity to execute Martinu's intricate counterpoint and demanding orchestration. It requires strings numbered at minimum as listed (9.8.7.6.5) and confident principal players in the winds and brass sections.

How to get the most out of it

  • Balance the opening string textures carefully; Martinu layers multiple melodic ideas across the violin and viola sections that must remain distinct without one overwhelming the other.
  • Coordinate the timpani and percussion cues with precision, as they often mark structural turning points and need to land with decisive clarity rather than blend into the texture.
  • Shape the brass passages with attention to their harmonic function rather than their volume; dynamic restraint often serves the music better than full fortissimo approaches.
  • Use the harp sparingly and with clear rhythmic definition to avoid muddying the complex string writing underneath it.

How to use it

Program Memorial to Lidice as a centerpiece of a concert addressing 20th-century response to historical trauma, pairing it with works by other composers who addressed similar themes or time periods. It works particularly well on a concert acknowledging cultural remembrance, alongside educational context about Lidice and the war. The piece rewards audiences who appreciate direct emotional communication from serious composers.

Skills your students will build

  • Reading complex polyphonic orchestral textures with multiple simultaneous melodic lines
  • Balancing volume and color across a full orchestra while maintaining clarity of individual sections
  • Interpreting modernist harmonic language and atonal writing in a dramatic context
  • Responding to expressive conducting gestures that require both technical precision and emotional commitment

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