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Medieval Wars: String Orchestra Conductor Score & Parts

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Medieval Wars Cover Image

Medieval Wars: String Orchestra Conductor Score & Parts

Prelude, Tournament, and Ceremony

By Brian Balmages

Grade: 2

Item: 98-ST6122

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Description
Immerse yourself in the popular tournaments of the Middle Ages, when knights would compete against each other in tests of will, strength, and agility in the name of honor. The dark opening sets the stage for the entry of the knights, who ride into the stadium with a noble theme over pulsating lower strings. As the tournament begins, the music becomes aggressive and driving, drawing everyone into the action. The final ceremony crowns our champion and brings the music to a magnificent and regal finale!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Medieval Wars: String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: FJH Developing Strings
Publisher: The FJH Music Company, Inc.
UPC: 674398221769
SKU: 98-ST6122

More about this title

About the Composer: Brian Balmages

Brian Balmages

Brian Balmages writes across orchestral, band, and chamber music with equal facility, and his compositions have reached audiences from Carnegie Hall to the Sydney Opera House. His work has earned him an A. Austin Harding Award from the American School Band Directors Association, the 2020 NBA William D. Revelli Composition Contest, and membership in the American Bandmasters Association. His music was performed at the 2013 Presidential Inaugural Prayer Service attended by President Obama and Vice President Biden.

As a conductor, Balmages maintains an active schedule with all-state and regional ensembles, university orchestras, and professional groups worldwide. He has guest conducted at the Midwest Clinic, Western International Band Clinic, and numerous state ASTA conferences. Currently serving as Director of MakeMusic Publications and Digital Education for Alfred and MakeMusic, he holds distinguished alumni status from both James Madison University and the University of Miami, where he was commissioned to compose for the inauguration of the university's president.

Why we love this

Balmages crafts a narrative arc that keeps young orchestras engaged from the dark opening through the triumphant finale, proving that Grade 2 repertoire doesn't have to sacrifice musical substance for accessibility. The pulsating lower string accompaniment and driving tournament music offer the kind of visceral energy that makes rehearsals feel like real concerts, not just training ground exercises.

What to expect

The piece opens with ominous atmosphere before the entry of nobility and pageantry. Once the tournament begins, the music surges with competitive energy and driving rhythms that pull the listener directly into the spectacle.

Who it's for

Grade 2 string orchestras ready to tackle programmatic music that demands both technical control and musical storytelling. This works equally well for orchestras in their first year of ensemble playing or those reviewing fundamentals while building confidence.

How to get the most out of it

  • Shape the noble knight theme with a singing tone; the theme's dignity depends on the strings' ability to sustain through the pulsating accompaniment beneath it.
  • Control the aggressive tournament section by maintaining a steady tempo in the accompaniment layer while allowing the melody line to have character and forward momentum.
  • Build the regal finale gradually, resisting the urge to rush into full volume too early; let the ceremony unfold with orchestral weight.

How to use it

Schedule this as a concert centerpiece for a medieval or historical theme, or program it alongside lighter Grade 2 works to showcase how young orchestras can handle contrasting moods and dynamics. It's substantial enough to anchor a spring or winter concert without requiring advanced technical demands.

Skills your students will build

  • Balancing melody and accompaniment when both are active simultaneously
  • Sustaining tone quality while maintaining rhythmic precision in pulsating figures
  • Dynamic shaping across a multi-section form
  • Responding to dramatic program content through musical interpretation

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