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Meant to Be: Flexible String Ensemble Conductor Score & Parts

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Meant to Be Cover Image

Meant to Be: Flexible String Ensemble Conductor Score & Parts

Words and music by Josh Miller, Tyler Hubbard, David Garcia and Bebe Rexha / arr. Michael Story

Grade: 2

Item: 00-49451

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Description
Pop singer Bebe Rexha teamed up with the country music group Florida Georgia Line to create this number-one hit that crossed numerous pop charts. This arrangement of Meant To Be by Michael Story perfectly captures the feel of the original recording. (2:05)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Meant to Be: Flexible String Ensemble Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Pop Intermediate String Orchestra
Publisher: Alfred Music
ISBN10: 1-4706-6083-0
ISBN13: 978-1-4706-6083-3
UPC: 038081577623
SKU: 00-49451

More about this title

Why we love this

Michael Story's arrangement brings the radio energy of this chart-topping crossover into a string orchestra setting without losing the song's infectious hook. At Grade 2, it's accessible enough for developing ensembles while still delivering the contemporary sound and production feel that keeps students engaged. Programming a hit song like this signals to your students that string music lives in the world beyond the concert hall.

What to expect

Bright, rhythmically propulsive, and distinctly modern. The arrangement captures the breezy pop-country charm of the original while giving strings the melodic and textural responsibility usually reserved for guitars and production layers.

Who it's for

String orchestra programs at the intermediate level seeking contemporary repertoire that energizes students and audiences alike. This works especially well for conductors building bridges between classical training and the music students actually listen to outside rehearsal.

How to get the most out of it

  • Shape phrases around the vocal melody rather than treating string lines as accompaniment; this keeps the song's storytelling front and center.
  • Balance the divisi sections carefully so inner voices don't disappear into the texture.
  • Use the recorded accompaniment to anchor tempo and feel, especially if your ensemble is newer to pop repertoire.

How to use it

Pair this with a classical or lighter classical piece on a concert to bookend the program with contrasting moods, or program it alongside other contemporary string arrangements to create a themed set that reflects current music culture. At just over two minutes, it's also an efficient opener that energizes an audience immediately.

Skills your students will build

  • Balancing melodic and accompaniment textures in divisi writing
  • Reading and executing syncopated rhythms common in contemporary pop idioms
  • Shaping phrase contours around a pop vocal melody structure
  • Ensemble cohesion in modern production-based arrangements

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