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Mazurkas: Piano Book

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Mazurkas: Piano Book

By Thomas Adès

Item: 12-0571520111

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Description
This set of three Mazurkas was a co-commisson by the Barbican Centre, Carnegie Hall, Los Angeles Philharmonic Association, San Francisco Symphony and Het Concertgebouw NV. The first performance was given by Emanuel Ax, at Carnegie Hall, New York on the 10th February 2010.

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Additional Details
Series: Faber Edition
Publisher: Faber Music
ISBN10: 0-571-52011-1
ISBN13: 978-0-571-52011-4
UPC: 9780571520114
SKU: 12-0571520111

More about this title

About the Composer: Thomas Adès

Thomas Adès stands among the most significant composers of his generation, known for his ability to synthesize centuries of musical language into works of stunning originality. His output spans opera, orchestral music, and chamber works, all marked by brilliant orchestration, harmonic sophistication, and theatrical instinct. As a conductor and pianist as well as composer, Adès brings deep interpretive insight to the music he writes, understanding viscerally what performers need to bring his vision to life.

Why we love this

Adès approaches the mazurka tradition not as pastiche but as genuine reinvention, creating three distinct character pieces that demand musical maturity and interpretive imagination from the pianist. The international co-commission speaks to the work's significance, and these pieces sit at the intersection of accessible modernism and genuine virtuosity. They reward deep practice without requiring the technical extremes that lock out developing pianists.

What to expect

These mazurkas inhabit a space between the ballroom elegance of the nineteenth-century original form and the harmonic and rhythmic language of the twenty-first century. Each piece has its own emotional contour: rhythmically supple, harmonically surprising, and rooted in a deep understanding of what makes the mazurka's essential character endure.

Who it's for

This set belongs in the hands of intermediate-to-advanced pianists who are ready to engage with contemporary classical music that respects both tradition and innovation. Teachers working with students preparing for competitions, recitals, or portfolio auditions will find these pieces offer the musical substance and originality that adjudicators and audiences genuinely respond to.

How to get the most out of it

  • Approach the rhythmic suppleness of each mazurka individually; the first, second, and third have different relationships to the pulse, and committing to those distinctions early in your preparation prevents them from blurring in performance.
  • Listen closely to the harmonic progressions beneath the surface melodic lines. Adès writes functional harmony with unexpected voice leading, and bringing out those inner voices creates depth and prevents the pieces from sounding merely decorative.
  • Pedal conservatively and specifically. The modern harmonic language benefits from clarity, and over-pedaling obscures the compositional architecture Adès has carefully constructed.

How to use it

Include this set on a recital that pairs contemporary music with older traditions, allowing audiences to hear how later composers continue conversations with historical forms. Alternatively, program one or more of the mazurkas in a student showcase that celebrates contemporary classical composition, positioning young pianists as interpreters of living musical thought.

Skills your students will build

  • Interpreting twentieth-century harmonic language and voice leading
  • Maintaining rhythmic flexibility while preserving structural integrity
  • Balancing modern idiom with traditional dance form conventions
  • Pedal control in non-tonal and extended harmonic contexts
  • Projection of inner melodic lines and accompaniment clarity

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