Maynard Madness: Concert Band Conductor Score & Parts

Victor López's arrangement captures Ferguson's signature swagger without losing the melodic hooks that make these songs instant crowd-pleasers. The medley format keeps energy moving while allowing the band to showcase ensemble precision and section clarity at a Grade 3.5 level that doesn't require virtuosos to sound polished. This is the kind of piece that reminds students why they joined band in the first place.

Funky, propulsive, and unapologetically fun. The arrangement bounces with Ferguson's playful confidence; you hear bright brass stabs, a tight rhythm section pocket, and enough syncopation to feel current without veering into complexity. It's the kind of piece that carries genuine swagger without pretense.

Concert bands at the Grade 3 to 3.5 level seeking repertoire that energizes both players and audiences without making unrealistic technical demands. Directors programming pop, rock, or contemporary music alongside traditional concert fare will find this medley instantly engaging for spring concerts or pop-focused festival programs.

• Lock the opening section with confidence; the brass need to sit in the pocket together from bar one or the momentum stalls. A few full-tempo ensemble rehearsals will build the internal timing faster than sectionals.
• Balance the featured solos carefully so they sparkle without drowning out the moving parts underneath. If your lead trumpet feels exposed, check that the supporting voices aren't playing louder than marked.
• Treat the transition between medley sections as an opportunity to breathe and reset, not as dead space. A clean, unified lift into the next theme will land hard.
• The recorded accompaniment (if available separately) can anchor tempo in early rehearsals, but wean the band off it well before performance so they own the pocket.

Use this as a concert highlight that proves your ensemble can swing and groove with precision. Its moderate length and crowd appeal make it ideal for a spring pops concert, community outdoor performance, or the closer before intermission. It pairs well with one or two additional contemporary arrangements if you're building a full pop or rock set.

• Phrasing and articulation in funk and rock idioms
• Syncopated rhythms and back-beat awareness
• Section balance and blend across ensemble textures
• Ensemble entrances and releases on repeated stabs
• Tempo consistency within a rock/funk pocket