Masterwork Classics, Level 4 Cover Image

Masterwork Classics, Level 4: Piano Book & Online Audio

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Masterwork Classics, Level 4 Cover Image

Masterwork Classics, Level 4: Piano Book & Online Audio

Ed. Jane Magrath / perf. Valery Lloyd-Watts

Level: Intermediate

Item: 00-168

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Description
A progressive repertoire series designed to motivate students while progressing evenly and smoothly from the easiest classics toward intermediate-level literature. These pieces, chosen from the standard classical literature, will appeal to both teacher and student. Each volume comes with a corresponding recording.

Recording artist Valery Lloyd-Watts studied at the Conservatory of Music in Toronto and the Royal College of Music in London. She earned a Master of Music degree from the University of Wisconsin, where she studied with Paul Badura-Skoda. She co-authored the text Studying Suzuki Piano: More than Music, which was endorsed by Dr. Suzuki.

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Sample Pages

Sample Audio
1 01 Voluntary --:--
2 02 King William's March --:--
3 03 Menuet in D Minor --:--
4 04 Air --:--
5 05 Hornpipe --:--
6 06 Menuet --:--
7 07 Menuet in G Major --:--
8 08 Menuet in G Minor --:--
9 09 Polonaise in G Minor --:--
10 10 Menuet in C Major --:--
11 11 Pyrenese Melody --:--
12 12 Country Dance in G Major --:--
13 13 Sonatina in C Major --:--
14 14 Scherzo in F Major --:--
15 15 Schwäbisch --:--
16 16 German Dance in C Major --:--
17 17 Country Dance in C Major --:--
18 18 German Dance in G Major --:--
19 19 A Pleasant Morning --:--
20 20 In the Garden --:--
21 21 Murmuring Brook --:--
22 22 By the Seaside --:--
23 23 Serenade --:--
24 24 Arabesque --:--
25 25 Progress --:--
26 26 Piano Piece No --:--
27 27 Piano Piece No --:--
28 28 A Magic Game --:--
29 29 Playing Soldiers --:--
30 30 Galop --:--
31 31 Clowns --:--
32 32 Rhythmic Dance --:--
33 33 Hurdy-Gurdy --:--
34 34 Etude --:--

01 Voluntary

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Sample Video
Additional Details
Series: Masterwork Classics
Publisher: Alfred Music
Page Count: 48
ISBN10: 0-7390-0754-8
ISBN13: 978-0-7390-0754-9
UPC: 038081001531
SKU: 00-168

More about this title

About the Artist: Valery Lloyd-Watts

Valery Lloyd-Watts is a pianist and pedagogue whose training spans three continents. She studied at the Conservatory of Music in Toronto and the Royal College of Music in London before earning her Master of Music degree from the University of Wisconsin, where she worked with Paul Badura-Skoda, one of the twentieth century's foremost interpreters of Beethoven and the Classical repertoire.

Beyond performance, Lloyd-Watts has shaped music education through her writing and research. She co-authored Studying Suzuki Piano: More than Music, a text endorsed by Dr. Suzuki himself, bringing together pedagogical insight and musical depth. Her recordings for the Masterwork Classics series reflect her commitment to making the classical canon accessible and inspiring for young pianists.

Why we love this

This collection strikes a genuine balance between repertoire quality and student motivation. The pieces are chosen from established classical literature, so students are learning real masterworks, not simplified pastiches. Valery Lloyd-Watts' recordings set a musical standard that students can emulate, making daily practice more purposeful.

What to expect

Opening this book, you encounter pieces that feel genuinely mature yet remain within reach. These are works you hear in concert halls and competitions, arranged in an order that builds confidence without jumping wildly in difficulty. The music speaks with clarity and dignity.

Who it's for

Intermediate pianists (roughly grades 5-8 and beyond) who are ready for substantial classical repertoire but still benefit from structure and professional modeling. Teachers use this series to introduce students to standard keyboard masterworks while maintaining consistent progress through a curated sequence.

How to get the most out of it

  • Listen to the corresponding online recording before diving into the score. Hearing the piece's architecture and phrasing first will guide your own interpretive choices.
  • Pay close attention to articulation markings, especially in pieces by composers like Mozart and Beethoven. The style of touch shapes whether a passage sounds refined or heavy.
  • Work through the piece hands separately for longer stretches than you might expect, particularly if coordination between hands feels uneven. This level rewards precision.
  • Record yourself at different stages of learning and compare your tempo choices to the artist's recording. Students often rush passages they haven't fully internalized.

How to use it

Draw pieces from this collection as recital centerpieces for intermediate students, or use it as your primary repertoire text for the middle-intermediate year of studio teaching. Pair selections with contemporary or twentieth-century pieces to show how composers built upon classical foundations.

Skills your students will build

  • Interpreting tempo and articulation markings from the Classical era
  • Balancing melody and accompaniment across both hands
  • Sustaining musical phrases at a more advanced structural level
  • Developing consistency of touch and tone production
  • Building familiarity with the standard keyboard canon

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