Masquerade Cover Image

Masquerade: Concert Band Conductor Score

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Masquerade: Concert Band Conductor Score

By Donald Coakley

Grade: 4

Item: 81-CB27115S

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Description
Masquerade was commissioned by the Hannaford Street Silver Band. This is a brass band whose personnel is composed top freelance musicians in Toronto, Canada. Mr. Coakley wanted to personalize the piece so he created tone rows from the letter notes drawn from the names of the members of each section of the band. These individual rows were "boiled" down to one row, and its derivatives. These four motives served as the thematic, and harmonic material for the composition.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
UPC: 0
SKU: 81-CB27115S

More about this title

About the Composer: Donald Coakley

Donald Coakley is a Canadian composer whose work has earned commissions from distinguished ensembles across North America. His compositional approach often draws inspiration from the musicians who will perform his pieces, creating deeply personal connections between composer, performer, and audience.

Why we love this

Coakley's serialist approach transforms a technical compositional method into something genuinely engaging for concert band. The use of personalized tone rows (drawn from band members' names) creates a work that feels both intellectually rigorous and deeply human, giving your ensemble a piece with real history embedded in its DNA.

What to expect

Masquerade unfolds with both mystery and purpose. The tone rows create an underlying architecture that holds the work together beneath its often unpredictable surface, resulting in music that feels modern, deliberate, and genuinely composed rather than formulaic.

Who it's for

This work suits bands with strong fundamentals and a director comfortable with twentieth-century compositional techniques. Performers benefit from experience reading contemporary notation and understanding non-traditional harmonic structures; the Grade 4 difficulty is partly technical and partly conceptual.

How to get the most out of it

  • Balance the motivic material carefully across sections; since each motive derives from the same row, clarity matters more than blending. The listener should follow the thematic threads even when they migrate between parts.
  • Pay close attention to dynamic shapes around harmonic transitions. With serialism guiding the pitch structure, dynamics become your primary tool for coherence and forward momentum.
  • Rehearse the piece section by section, isolating each motive and its variants. This helps musicians hear the logic behind seemingly complex passages and builds confidence in the harmonic language.

How to use it

This piece works well on concerts exploring twentieth-century wind band repertoire or when you want to demonstrate compositional sophistication to your audience. It pairs thoughtfully with other contemporary works and commands a full program slot on its own.

Skills your students will build

  • Reading and performing serialist compositional techniques
  • Following motivic development across non-traditional harmonic language
  • Understanding tone rows and their transformations (inversions, retrogrades, derivatives)
  • Balancing exposed thematic material in a complex harmonic environment
  • Performing contemporary concert band literature with interpretive confidence

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