Mary Sat A-Rockin': 2-Part Choral Octavo
Music by Sally K. Albrecht
Item: 00-PO-0007958
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About the Composer: Sally K. Albrecht

Sally K. Albrecht has shaped American choral music for over three decades through her prolific composing, conducting, and publishing work. With more than 600 choral publications and 75 larger works in print, she has earned ASCAP Special Music Awards annually since 1987 and directed educational music publishing at the highest levels. Her expertise in choral movement and staging has made her a sought-after clinician at festivals nationwide, including Lincoln Center, Carnegie Hall, and The Kennedy Center.
Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976), the University of Miami (M.A. in Drama and M.M. in Accompanying), and has taught at Oakland University, Jersey City State College, and Meredith College. She currently resides in Wake Forest, North Carolina, where she continues composing and conducting. Her recent honors include the 2021 Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College.
Why we love this
Albrecht's gift for embedding quotations from familiar spirituals into contemporary gospel grooves means your singers engage with two traditions at once. The syncopated rhythms and chord vocabulary give this piece infectious forward motion that feels both stylish and singable for developing voices. Movement staging options add visual energy without requiring elaborate choreography, making this a practical choice for choirs seeking concert impact.
What to expect
Infectious and joyful, this piece radiates the energy of a spiritual call to celebrate. Syncopation bounces against steady gospel harmonies, creating a groove that invites movement and makes standing still nearly impossible. The embedded quotations of American spirituals arrive like familiar friends in new clothes, bridging tradition with contemporary energy.
Who it's for
This two-part setting opens gospel and spiritual traditions to younger or less experienced choirs without compromising style or substance. Singers encounter syncopation and gospel harmony in an accessible voicing, making it ideal for middle school choirs, developing high school ensembles, or community choirs seeking contemporary sacred repertoire.
How to get the most out of it
- Lock the syncopated rhythms firmly with your accompaniment from the first rehearsal; gospel grooves depend on the ensemble feeling the pulse as a unified body rather than individual parts.
- Shape the spiritual quotations distinctly so audiences recognize them as distinct musical moments; a subtle tempo lift or textural change can make the references land.
- Encourage your singers to commit physically to the gospel feel from early rehearsals. Even subtle movement in the torso and shoulders will unlock the rhythmic freedom the style demands.
- The SoundTrax accompaniment captures the groove perfectly; use it strategically in rehearsal, then pull it back as confidence builds so singers own the pocket.
How to use it
Pair this with other contemporary gospel or spiritual arrangements to create a thematic concert section that speaks to American vocal traditions. Its approachable difficulty and optional staging make it excellent programming for holiday concerts where you want rhythmic vitality and audience engagement without lengthy rehearsal demands. Consider featuring it mid-program where its infectious groove can shift energy and momentum.
Skills your students will build
- Executing syncopated rhythms within a consistent groove
- Reading and singing gospel chord progressions
- Recognizing and performing musical quotations from spirituals
- Coordinating rhythm section independence with harmonic movement
- Developing rhythmic independence in two-part textures