Mary, Did You Know? Cover Image

Mary, Did You Know?: Concert Band Conductor Score

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Mary, Did You Know? Cover Image

Mary, Did You Know?: Concert Band Conductor Score

Words and music by Mark Lowry and Buddy Greene / arr. Douglas E. Wagner

Grade: 1 (Very Easy)

Item: 00-45779S

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Description
A relaxed, soft-rock feel sets the foundation for this charming classic holiday ballad. Scored with featured sections presenting the melody, this tune was an overnight hit when it was premiered in 1991 and has enjoyed decades of popularity. Recently recorded by the pop vocal group Pentatonix, the musicality, phrasing, and dynamics will enhance both the performance and your teaching opportunities. (2:30)

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Additional Details
Series: Pop Beginning Band
Publisher: Alfred Music
Page Count: 16
UPC: 038081525471
SKU: 00-45779S

More about this title

About the Composer: Mark Lowry

Mark Lowry is a Nashville-based songwriter and Christian music artist who has written numerous songs across multiple genres. He penned "Mary, Did You Know?" in 1991, creating what would become one of the most recorded Christmas songs of recent decades. The song's appeal spans from contemporary Christian radio to mainstream pop, testament to Lowry's gift for writing melodies that resonate across audiences.

Why we love this

Douglas E. Wagner's arrangement captures the song's accessible charm while giving every section of the band a chance to participate. The Grade 1 scoring opens the piece to players at the start of their concert band journey without sacrificing the musicality that made this song a standard. A short duration (2:30) and built-in featured sections make this an ideal vehicle for teaching phrasing and dynamic contrast in a contemporary idiom.

What to expect

The piece settles into an easy, conversational groove that feels more like listening to a contemporary Christian radio hit than a traditional holiday carol. Gentle rock rhythms and warmth in the orchestration create an intimate mood that invites rather than demands attention. The overall effect is reflective and genuine, qualities that make the song's text about wonder and faith feel earned rather than sentimental.

Who it's for

This score is written for conductors leading concert bands at the beginning level, whether in middle school or community ensembles. Any director seeking a holiday program piece that combines accessibility with contemporary musical relevance and genuine teaching moments will find this a straightforward choice. The recognizability of the tune also makes it approachable for audiences.

How to get the most out of it

  • Shape the soft-rock feel by keeping the rhythm section relaxed and conversational rather than metronomic; this is where the band's maturity as ensemble musicians shows itself.
  • Balance the featured melody sections so the highlighted players are heard clearly without overwhelming the accompanying voices, reinforcing the arrangement's design.
  • Attend to the dynamic markings as opportunities to tell the story of the text; even at this grade level, students can understand how dynamics serve the lyrics.
  • Let the ending breathe; resist the urge to rush the final measures and allow the soft-rock groove to settle naturally.

How to use it

Program this as an opening or closing piece in a winter concert where you want to mix classical holiday traditions with contemporary repertoire. The short duration and Grade 1 level make it an excellent pairing with slightly more challenging work; use it as a palate cleanser or as the centerpiece of a "holiday music across genres" segment. Consider programming it alongside other pop or contemporary band pieces to show students that concert band literature extends well beyond the classical canon.

Skills your students will build

  • Soft-rock rhythmic feel and contemporary ensemble balance
  • Phrasing and dynamic shaping in popular music idiom
  • Playing featured vs. accompanying roles and balancing both
  • Articulation and attack consistency in a relaxed style
  • Understanding how arrangement creates accessibility without sacrificing musicality

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