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Mary Ann: Concert Band Conductor Score & Parts

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Mary Ann: Concert Band Conductor Score & Parts

Arr. Mark Williams

Grade: 1 (Very Easy)

Item: 00-19502

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Description
This happy Jamaican folk song simply sparkles in this very easy arrangement by Mark Williams. Using only six notes, with eighth notes limited to the percussion part, this is an excellent selection for your beginning band's first concert. The melody is passed through every section, enabling all students to participate in the fun. Correlated with Accent on Achievement, Book 1, page 10, this arrangement will be a favorite of students and audiences alike.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Mary Ann: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Accent on Achievement
Publisher: Alfred Music
Page Count: 128
UPC: 038081183138
SKU: 00-19502

More about this title

About the Arranger: Mark Williams

Mark Williams

Mark Williams shaped school band education through both pedagogy and composition, authoring the influential Accent on Achievement Band Method alongside more than 200 published works. His career took him across North America and internationally as a clinician and guest conductor, while his roots in Washington state elementary band programs informed his distinctive approach to accessible writing for young ensembles.

Beyond the page, Williams was an accomplished bassoon performer and arranger who served with the 560th Air Force Band. He conducted the Spokane British Brass Band and earned recognition including the Western International Band Clinic's Gralia Competition and multiple ASCAP Special Awards. His contributions to school music earned him respect as a composer equally comfortable writing for band, orchestra, and choir.

Why we love this

Williams strips this Jamaican melody to its essence, creating an arrangement that genuinely feels celebratory rather than oversimplified. Every section gets the melody, so your entire beginning band experiences success from day one—no sitting out, no filler parts. The constraint of six notes and minimal rhythmic complexity becomes a strength, letting young players focus on tone, balance, and the joy of making music together.

What to expect

Bright and inclusive, with a Caribbean lilt that feels both authentic and approachable. The melody dances easily through each section, creating moments of shared accomplishment as students hear themselves contributing to something recognizable and genuinely musical.

Who it's for

Beginning band students experiencing their first concert literature, especially ensembles ready to move beyond warm-up exercises into actual repertoire. Directors building confidence in young players benefit from this arrangement's inclusive scoring and immediate accessibility.

How to get the most out of it

  • Keep the tempo steady and buoyant; this arrangement thrives on forward motion rather than rushing. Let the Jamaican character breathe naturally without forcing a laid-back feel.
  • Balance the melody as it travels between sections. Whoever holds the tune should sing out, while the rest of the band supports without drowning them out.
  • Let percussion shine on those eighth notes. They're the only rhythmic energy in the piece, so slight clarity there gives the whole arrangement sparkle without disrupting the simplicity.

How to use it

Open a first concert with this piece to establish energy and audience goodwill while celebrating what your beginning players have learned in their first weeks. It pairs beautifully with one or two equally approachable selections to build a program that showcases growth without overwhelming young musicians or tiring the ensemble.

Skills your students will build

  • Passing melodic lines between sections while maintaining phrase continuity
  • Balancing written parts to highlight the active melody
  • Reading and performing within a limited note range with accuracy
  • Responding to a straightforward, steady tempo
  • Understanding and executing simple percussion rhythms that support the ensemble

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