Mare Orientale Cover Image

Mare Orientale: String Orchestra Conductor Score

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Mare Orientale Cover Image

Mare Orientale: String Orchestra Conductor Score

By Yukiko Nishimura

Grade: 3

Item: 00-49495S

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Description
Mare Orientale is the name of one of the lunar mares. "Mare" means the "sea". In this case, its not a sea---it is a crater! Mare Orientale means the "eastern sea" in English. It is said that the crater is difficult to see from the Earth because it exists on the opposite side of the moon from what we can see. This fact is so mysterious and inspired me to write this piece, imagining the scenery that cannot be seen from the earth. (3:30)

The PerformancePlus+ series is an innovative addition to the ever-expanding MakeMusic Cloud interactive library. These engaging selections are presented with educational resources designed to enrich the rehearsal process and create outstanding performances. Including:
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  • Piece-specific exercises focused on skills and techniques
  • Educational tips and suggestions to support learning

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Additional Details
Series: Highland/Etling String Orchestra - PerformancePlus+
Publisher: Alfred Music
ISBN10: 1-4706-4987-X
ISBN13: 978-1-4706-4987-6
UPC: 038081570655
SKU: 00-49495S

More about this title

About the Composer: Yukiko Nishimura

Yukiko Nishimura

Yukiko Nishimura studied composition at Tokyo University of the Arts before pursuing advanced training with Alfred Reed at the University of Miami and Richard Danielpour at Manhattan School of Music. Her compositional voice has been shaped by mentorship from Atsutada Otaka, Giampaolo Bracali, and others, resulting in works that span piano, chamber music, band, orchestral, and theatrical contexts.

Nishimura has built an international reputation through commissions, concert performances of her own music across Japan since 1996, and recognition including special mentions at the International Competition for Original Composition in Italy and nominations for the Hollywood Music in Media Award. Her collaborative work extends to silent film scores, traditional Noh theater, and theatrical premieres, while her own piano works have been performed at Carnegie Hall and reviewed in the New York Times.

Why we love this

Nishimura's program note reveals a composer drawn to the unseen and unexplored, translating that curiosity into music that rewards careful listening. At Grade 3, this piece offers string orchestras a chance to tackle imaginative, thematic writing without overwhelming technical demands; it programs beautifully alongside more traditional fare because its lunar imagery and mysterious tone create a distinct concert moment.

What to expect

Mare Orientale invites listeners into contemplation of something distant and mysterious. The music unfolds with an almost ethereal quality, as though viewing a landscape that exists beyond reach, using lyrical string writing to evoke the quiet wonder of observing the unknown from afar.

Who it's for

String orchestras at the intermediate level looking to expand beyond standard repertoire with a piece that combines accessible technical demands with genuine artistic substance. This work suits orchestras preparing for festival competition or those seeking to program something that sparks musical imagination without requiring extensive doubling or specialized instrumentation.

How to get the most out of it

  • Shape the phrasing to suggest distance and wonder rather than pushing for volume; the mystery of the piece lives in restraint and clarity of line.
  • Balance the string sections carefully so that each voice layer remains audible even as textures thicken, maintaining the sense of gazing outward rather than inward.
  • Work with your ensemble to understand the programmatic intent before rehearsals begin; knowing that this crater cannot be seen from Earth informs how you approach dynamics, articulation, and ensemble cohesion.

How to use it

Program this as a centerpiece that shifts the concert's emotional landscape, placing it between more energetic or familiar selections to give audiences a moment of reflection. The three and a half minute duration makes it an ideal complementary work in a concert that also features standard orchestral repertoire, or a strong standalone contest selection.

Skills your students will build

  • Sustaining lyrical lines with steady tone and consistent vibrato across longer phrases
  • Balancing ensemble texture when multiple string sections carry independent material simultaneously
  • Interpreting programmatic content and translating imagery into musical expression
  • Maintaining intonation and blend in moderately complex harmonic writing at Grade 3 difficulty

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