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Mare Orientale: String Orchestra Conductor Score & Parts

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Mare Orientale Cover Image

Mare Orientale: String Orchestra Conductor Score & Parts

By Yukiko Nishimura

Grade: 3

Item: 00-49495

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Description
Mare Orientale is the name of one of the lunar mares. "Mare" means the "sea". In this case, its not a sea---it is a crater! Mare Orientale means the "eastern sea" in English. It is said that the crater is difficult to see from the Earth because it exists on the opposite side of the moon from what we can see. This fact is so mysterious and inspired me to write this piece, imagining the scenery that cannot be seen from the earth. (3:30)

The PerformancePlus+ series is an innovative addition to the ever-expanding MakeMusic Cloud interactive library. These engaging selections are presented with educational resources designed to enrich the rehearsal process and create outstanding performances. Including:
  • Assignment, recording, and assessment tools within MakeMusic Cloud
  • Piece-specific exercises focused on skills and techniques
  • Educational tips and suggestions to support learning

Available in print and digital formats.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Mare Orientale: String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Highland/Etling String Orchestra - PerformancePlus+
Publisher: Alfred Music
ISBN10: 1-4706-4986-1
ISBN13: 978-1-4706-4986-9
UPC: 038081570648
SKU: 00-49495

More about this title

About the Composer: Yukiko Nishimura

Yukiko Nishimura

Yukiko Nishimura brings a distinctive voice shaped by rigorous training across continents. After graduating from Tokyo University of the Arts in 1990, she pursued advanced studies with Alfred Reed at the University of Miami and Richard Danielpour at Manhattan School of Music, establishing herself as both a composer and concert pianist. Her honors include special mentions at the International Competition for Original Composition for Band in Corciano, Italy, and the Aoyama Award; since 1996, she has mounted recitals of her own works throughout Japan.

Nishimura's output spans an impressive range: piano works, chamber music, band compositions, and orchestral scores. Her concert music has been premiered at venues including Carnegie Hall's Weille Recital Hall (performed by pianist Sara Davis Buechner in 2017) and the New York Public Library. She has also composed for film and theater, including scores for silent cinema and Japanese traditional Noh drama. Recent nominations for the Hollywood Music in Media Award reflect her continued presence in contemporary music, while her active role as both pianist and arranger demonstrates the breadth of her musical engagement.

Why we love this

Mare Orientale captures mystery through accessible musical means, making it ideal for Grade 3 ensembles ready for something more imaginative than standard repertoire. The lunar imagery gives your orchestra a compelling narrative to connect with, while the three-and-a-half-minute arc holds engagement without demanding advanced technical facility. Programming this piece signals that your ensemble explores contemporary voices and thoughtful composition.

What to expect

Mare Orientale unfolds as a sonic journey toward something unseen and distant, evoking the quiet mystery of a lunar crater hidden on the far side of the moon. The music suggests wonder and contemplation rather than dramatic spectacle, drawing listeners into an introspective space through clear textures and purposeful phrasing.

Who it's for

String orchestras at the Grade 3 level who are ready for contemporary repertoire with literary substance. This piece works beautifully for ensembles preparing for festival competition or seeking programming that moves beyond traditional classical selections while remaining technically accessible.

How to get the most out of it

  • Build the atmosphere gradually from the opening; resist the urge to rush. The crater's distance from Earth should feel tangible in your tempo choices and phrase shaping.
  • Use the PerformancePlus+ recording as a reference for balance and ensemble blend, then establish your own interpretation by having players identify the thematic material before rehearsal.
  • Pay attention to dynamic layering in the middle sections. With a Grade 3 ensemble, clarity between parts matters more than complex tone color.
  • Assign the sectional exercises in PerformancePlus+ early in your rehearsal cycle so players build confidence in problem passages before full-orchestra work.

How to use it

Consider pairing this piece with other contemporary works for a "Visions and Horizons" concert that explores imagination and discovery. Its moderate length and evocative quality make it an excellent choice for festival competition or as a concert anchor that showcases your ensemble's musicality without overwhelming a program structure.

Skills your students will build

  • Sustaining long melodic lines with consistent intonation
  • Responding to dynamic shifts and sectional balance cues
  • Interpreting contemporary notation and compositional style
  • Creating atmospheric ensemble sound through precision and restraint
  • Connecting programmatic content to musical expression

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