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Maranatha: SATB Choral Octavo

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Maranatha Cover Image

Maranatha: SATB Choral Octavo

By Kerry Andrew

Item: 12-0571522769

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Description
This shimmering choral work from Kerry Andrew is an imaginative setting of an ancient Aramaic text Maranatha, meaning Our Lord come or Our Lord has come. This text would probably have been used at the Eucharist; Awake Thou That Sleepest at baptism.

Kerry Andrew won the Temple Church composition prize in July 2002 for Maranatha.

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Additional Details
Series: Faber Edition: Faber New Choral Works
Publisher: Faber Music
ISBN10: 0-571-52276-9
ISBN13: 978-0-571-52276-7
UPC: 9780571522767
SKU: 12-0571522769

More about this title

About the Composer: Kerry Andrew

Kerry Andrew is a British composer whose liturgical works have earned recognition within sacred music circles. In 2002, Andrew won the Temple Church composition prize for Maranatha, a distinction that reflects the depth and craftsmanship of his sacred choral writing.

Andrew's approach to setting religious texts draws on both contemporary compositional techniques and the traditions of liturgical music. His work demonstrates a particular sensitivity to text, allowing ancient words to resonate with fresh musical meaning.

Why we love this

Kerry Andrew's setting transforms the Aramaic invocation into something radiant and imaginative, moving beyond conventional approaches to sacred text. The piece earns its place in the liturgy because it genuinely enhances the words it sets, giving singers and listeners a fresh encounter with meaning that feels both rooted in tradition and alive to contemporary sensibility.

What to expect

The music shimmers with translucent harmonic language, creating an atmosphere of luminous stillness. There is something both ancient and immediate about the sound; the Aramaic text seems to float within rather than sit atop the musical texture, inviting contemplation rather than dramatic proclamation.

Who it's for

This octavo works for choirs with solid blend and pitch security who are ready to engage thoughtfully with contemporary sacred writing. It serves ensembles preparing liturgical music for worship settings, as well as concert choirs seeking meaningful additions to sacred repertoire programming.

How to get the most out of it

  • Allow the text's ancient resonance to shape your interpretive choices; the shimmer in the writing benefits from clarity in articulation and sustained vowel shapes rather than heavy interpretive layering.
  • Balance the parts carefully to let harmonic color emerge without sacrificing the integrity of individual voice lines; this is music where blend serves the composition's architectural clarity.
  • Consider the liturgical context Andrew had in mind (Eucharistic use); approaching this with the spiritual attentiveness it invites will naturally inform appropriate pacing and dynamic control.

How to use it

Program this within a sacred or liturgical concert context where its contemplative quality can fully land. It pairs naturally with other contemporary settings of traditional texts, or it can serve as a centerpiece in a worship service focused on Eucharistic themes or baptismal renewal.

Skills your students will build

  • Singing contemporary harmonic language with historical sacred text
  • Balancing blend while maintaining individual voice line independence
  • Approaching text with liturgical sensitivity and intention
  • Sustaining tone quality in extended harmonic sonorities

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