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Mansfield Park: Opera

$535.00 USD
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Mansfield Park Cover Image

Mansfield Park: Opera

Chamber Opera in Two Acts

By Jonathan Dove / words by Alasdair Middleton

Item: 98-EP72027B

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Description

Setting Jane Austen's classic novel as an opera, Jonathan Dove's Mansfield Park was originally written for 10 singers and a piano played in duet. This version, orchestrated by the composer for an ensemble of 13 players, was first produced by the Grange Festival in 2017. Dove adapted the novel with librettist Alasdair Middleton, and from the first sung words by the whole company, “Mansfield Park, Chapter One”, there is strong narrative drive, impeccable vocal writing and wonderful ensembles that sparkle with style and wit.

This A3 Full Score is available to buy as part of the Peters Contemporary Library series. Performance materials are available to hire. The vocal score is available to buy separately (EP72027A).

  • Peters Contemporary Library
  • A3 Full Score in two volumes
  • Perfect for conservatoire performances
  • Opera based on the novel by Jane Austen
  • Opera in two acts
  • Duration: 105 minutes


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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 442
ISBN10: 0-57-701803-5
ISBN13: 979-0-57-701803-4
SKU: 98-EP72027B

More about this title

About the Creator: Jonathan Dove

Jonathan Dove is a British composer whose operatic works are known for their accessibility, theatrical flair, and gift for vocal writing that sits comfortably on the singer's voice. His career spans concert music, orchestral works, and opera, but it is in the operatic medium where his particular talent for narrative clarity and musical storytelling emerges most distinctly. Dove's settings of literary texts consistently transform prose into music with precision and imagination, drawing singers and audiences alike into worlds that feel both intimate and dramatically urgent.

With librettist Alasdair Middleton, Dove adapted Jane Austen's novel as a chamber opera, a scale that demands both economy and emotional specificity. The original duet-piano version and this orchestrated edition (revised by Dove for 13 players) demonstrate his flexibility as a composer and his understanding of how arrangement can deepen rather than dilute a work's core musical identity.

Why we love this

Dove's orchestration breathes theatrical life into Austen's wit and social observation without overloading the score or drowning out the vocal lines. The ensemble writing is genuinely idiomatic for the players involved, and the vocal score sparkles with the kind of character work and musical-textual alignment that makes singers eager to perform it. This is an opera that works equally well as a major conservatoire production and as a teaching score, since every musical gesture serves the narrative.

What to expect

Sophisticated, articulate, and alive with theatrical energy. Dove's music catches the social ironies of Austen's world without winking at the audience; the score unfolds with genuine dramatic momentum, and the orchestration sits somewhere between chamber music and operatic comfort, creating an intimate yet fully realized sound world.

Who it's for

Conservatoires, advanced opera programs, and institutions ready to tackle a two-act, 105-minute work that demands strong singers and a committed pit ensemble. This is not a student piece; it is a professional-level chamber opera that rewards serious preparation and casting.

How to get the most out of it

  • Lean into the conversational quality of the vocal lines, especially in dialogue-driven scenes. Austen's comedy lives in the rhythms of speech; Dove has set this with precision, so rhythmic clarity serves the humor.
  • Balance the chamber orchestra's transparency with the singers' projection. The 13-piece ensemble is lean enough that every instrumental color registers, which means singers can sing directly rather than pushing.
  • Study the ensemble passages as ensemble pieces first. The sparkle Dove achieves comes from tightness and unanimity among multiple voices; this is not baroque counterpoint but rather unified dramatic action set to music.

How to use it

Position this as a flagship opera production, the kind of substantial undertaking that becomes a landmark event for a conservatoire season. The two-act structure and two-volume score make it suitable for evening-length programming. It pairs well with a season that values contemporary operatic writing and literary adaptation.

Skills your students will build

  • Reading and performing chamber opera with ensemble coordination across multiple voice types
  • Interpreting vocal lines that follow speech patterns and dramatic subtext
  • Managing sustained ensemble passages with rhythmic precision and textural transparency
  • Navigating two-act operatic structure and extended dramatic narrative

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