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Mangwani Mpulele: SSA Choral Octavo

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Mangwani Mpulele Cover Image

Mangwani Mpulele: SSA Choral Octavo

Arr. Robert DeCormier

Item: 00-LG52716

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Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Mangwani Mpulele: SSA Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Archive Edition: Lawson-Gould Music Publishers
Publisher: Alfred Music
Page Count: 8
UPC: 783556017660
SKU: 00-LG52716

More about this title

About the Arranger: Robert DeCormier

Robert DeCormier

Robert DeCormier studied at Juilliard and built a career spanning Broadway, opera, concert halls, and folk music. He served as music director of the New York Choral Society for seventeen years and worked as conductor and arranger for Harry Belafonte. From 1978 to 2010, he was music director for Peter, Paul and Mary, bringing folk repertoire to millions of listeners.

DeCormier taught conducting and ensembles at the Eastman School of Music and founded Counterpoint, a professional vocal ensemble based in Vermont that performed across New England and produced six recordings on the Albany label. His arrangements span African-American spirituals, American folk songs, and international repertoire. In recognition of his contributions to music education and the arts, he received the Vermont Governor's Award for Excellence in the Arts in 2002 and a Lifetime Achievement Award from the New England Choral Arts Foundation in 2006.

Why we love this

DeCormier's arrangement honors the integrity of this South African folk song while making it accessible to SSA ensembles. His decades of experience with folk song arrangement shows in the balance between authenticity and singability—the piece sits well for voices without oversimplifying the cultural tradition it represents.

What to expect

Mangwani Mpulele carries the warmth and communal spirit of South African folk tradition. The piece invites singers into a musical landscape that feels both immediate and rooted—accessible enough for singers new to world music, yet rich with cultural texture.

Who it's for

This octavo works well for changing voices (SSA/SSAA voicing accommodates varying levels of voice development) and serves choirs seeking to expand beyond standard repertoire into world music. It's an excellent choice for programs celebrating cultural diversity or for directors introducing students to African choral traditions.

How to get the most out of it

  • Pay attention to the pronunciation guide if included; South African languages carry important tonal and articulation qualities that shape the music's character.
  • Let the rhythm breathe naturally rather than metronomically; folk material often settles into a groove that feels more organic than mechanically strict.
  • Use your recorded accompaniment, if available, as a reference for phrasing and style rather than as a tempo dictate you must match exactly.

How to use it

Program this among other folk or world music selections to create a thematic concert section, or pair it with spirituals and other arrangements that celebrate the African diaspora. At 8 pages, it's substantial enough to anchor a cultural programming moment without overwhelming a typical concert structure.

Skills your students will build

  • Singing in authentic folk style with attention to cultural context
  • Navigating rhythm patterns characteristic of South African music
  • Blend and balance in SSA voicing across divisi sections
  • Pronunciation and articulation in African languages

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