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Man, Woman, Child: Vocal Duet (Soprano, Tenor)

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Man, Woman, Child Cover Image

Man, Woman, Child: Vocal Duet (Soprano, Tenor)

By Jonathan Dove / Words by Judith Wright

Item: 98-EP73603

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Description
Man, Woman, Child by Jonathan Dove is an 18-minute song cycle with texts by Australian poet Judith Wright comprising of six songs for Soprano, Tenor and Piano. They tell the story of a man, coming home from war, who meets a woman in a wine bar: it ends with the voice of the child that emerges from this union. Commissioned to celebrate the 25th Anniversary of Samling Institute for Young Artists and dedicated to all those who have shared with us their love of words and music. It was first performed in November 2021 at Wigmore Hall by Alexandra Lowe, Filipe Manu and James Baillieu.

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Additional Details
Publisher: Edition Peters
Page Count: 48
ISBN10: 0-577-02188-5
ISBN13: 979-0-577-02188-1
UPC: 9790577021881
SKU: 98-EP73603

More about this title

About the Composer: Jonathan Dove

Jonathan Dove is a British composer whose orchestral and vocal works have earned him commissions from major institutions across the UK and Europe. His compositional voice balances lyrical accessibility with harmonic sophistication, and he frequently works with poetry to shape extended vocal cycles and chamber pieces. Dove's training at Cambridge and his years as a freelance conductor have deeply informed his understanding of the human voice and the collaboration required to bring literary texts to musical life.

Why we love this

This cycle honors the profound connection between words and music through carefully matched setting of Judith Wright's poetry. The six-song arc gives singers a complete emotional and narrative journey that doesn't require operatic spectacle to move an audience, making it ideal for chamber recitals and intimate concert settings where vocal artistry and textual clarity take precedence.

What to expect

A intimate, psychologically complex meditation on war's aftermath, romantic encounter, and the arrival of new life. Dove's harmonic language is warmly modern without losing lyricism; the songs move between moments of lyrical beauty, dramatic tension, and quiet reflection, creating a cycle that feels both emotionally raw and musically refined.

Who it's for

Advanced soprano and tenor singers, whether in university programs, professional ensembles, or experienced private studio contexts. This cycle demands vocal security, interpretive maturity, and the ability to sustain a dramatic narrative over 18 minutes alongside thoughtful piano collaboration.

How to get the most out of it

  • Shape each of the six songs as distinct moments. Though they form a narrative arc, resist the urge to rush between them; allow silence and breath to separate each song and let the story unfold at a human pace.
  • Collaborate closely with the pianist on the balance between vocal line and accompaniment. The piano often carries harmonic and emotional weight; work together to ensure neither voice is buried when both are singing.
  • Attend carefully to diction in Wright's Australian poetry. The language carries cultural specificity and emotional precision that clarifies the text's meaning and deepens the dramatic stakes of the union and child's emergence.

How to use it

Program this as a standalone chamber work on a recital built around song cycles or duets, or pair it with other contemporary vocal music that explores themes of relationships and human connection. Its 18-minute span makes it substantial enough to anchor a program or serve as a major work within a larger concert.

Skills your students will build

  • Sustained dramatic interpretation across a multi-movement vocal cycle
  • Synchronized ensemble singing between soprano and tenor lines
  • Text clarity and poetic interpretation in contemporary art song
  • Collaborative musicianship with a pianist carrying substantial harmonic material
  • Managing vocal stamina and emotional presence across contrasting song settings

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