Man of Steel, Part 3 Cover Image

Man of Steel, Part 3: Marching Band Conductor Score

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Man of Steel, Part 3 Cover Image

Man of Steel, Part 3: Marching Band Conductor Score

Featuring: Oil Rig / What Are You Going to Do When You Are Not Saving the World?

Composed by Hans Zimmer / arr. Mike Story

Grade: 2 (Easy)

Item: 00-42099S

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Description
To close out our Man of Steel halftime show, Mike Story opens with a powerful and driving percussion feature based on the "Oil Rig" action scene. The music then returns to a reprise of the main theme before moving into the heroic final section. This show offers a wealth of visual potential, and the scoring is rock-solid. This is cutting-edge music that will thrill both your students and your audience!

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Sample Pages

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Additional Details
Series: Big and Easy
Publisher: Alfred Music
Page Count: 12
UPC: 038081470276
SKU: 00-42099S

More about this title

About the Composer: Hans Zimmer

Hans Zimmer stands among film music's most influential architects, known for his ability to craft soundtracks that define cinematic moments. His work spans decades and genres, from intimate character studies to sprawling action sequences, earning him recognition as one of contemporary music's most distinctive voices. In education contexts, his scores offer students a master class in orchestration, thematic development, and the relationship between music and visual storytelling.

Why we love this

This arrangement captures the essence of Zimmer's writing without overwhelming a Grade 2 ensemble. The percussion-driven opening gives your percussion section a genuine moment to shine, while the main theme reprise and heroic finale provide musical substance that keeps players engaged across the full arc. Mike Story's arrangement respects the source material while keeping the technical demands accessible, so your focus stays on execution and musicality rather than scrambling through the parts.

What to expect

Cinematic power and drive define the character here. The percussion feature opens with raw energy and industrial edge, then the main theme emerges with soaring, purposeful melody. The finale builds to genuine heroic scope, with rich harmonies and full ensemble weight that leave audiences genuinely moved rather than simply entertained.

Who it's for

This is built for Grade 2 programs with confident percussion sections and solid brass fundamentals. Directors programming halftime shows will find immediate value in the dramatic arc and the balance of accessibility with musical integrity. Ensembles ready to move beyond basic charts but not yet equipped for Grade 3 complexity have found their vehicle.

How to get the most out of it

  • Nail the percussion feature in the opening by locking the battery's rhythmic precision before adding winds. The "Oil Rig" section lives or dies on clarity and groove, so isolate those rhythms in sectionals.
  • Shape the main theme reprise with forward momentum; this isn't a moment to pull back despite its familiarity. Let it feel like a hero's return, not a rest.
  • Balance the full ensemble in the heroic final section so the brass can ring without drowning out the internal voices carrying harmonic interest.
  • Front-load your visual design work early in rehearsal alongside the percussion feature. The music practically demands it, and planning together keeps staging ideas from derailing musical focus.

How to use it

This works as a halftime feature or season finale, leveraging the complete dramatic arc Zimmer and Story have structured. If you're building a full show around film music or superhero themes, this anchors the programming with professional-caliber material. The twelve-page conductor score gives you everything needed for clear rehearsal direction and confident performance management.

Skills your students will build

  • Maintaining groove and rhythmic precision in percussion-driven sections
  • Executing rapid thematic transitions between feature, reprise, and climax
  • Balancing ensemble sound across full band with emphasis on internal voice clarity
  • Connecting physical blocking and visual design to musical phrasing and dynamics

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