Make Them Hear You: TTBB, a cappella Choral Octavo
from Ragtime
Lyrics by Lynn Ahrens, music by Stephen Flaherty / arr. Kirby Shaw
Item: 00-PO-0006048
Minimum order quantity: 20 copies
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More about this title
About the Composer: Stephen Flaherty
Stephen Flaherty has shaped musical theater for over three decades, composing scores that balance emotional immediacy with compositional sophistication. His collaborations with lyricist Lynn Ahrens have produced some of Broadway's most enduring works, including Ragtime, Anastasia, and Hadestown, each demonstrating his gift for melody that serves character and story without sacrificing musical substance.
Flaherty's compositions have earned him Tony Awards, Grammy Awards, and a Pulitzer Prize. His music works equally well on the concert stage and in the classroom, where his strong melodic writing and accessible harmonic language make his scores invaluable teaching tools. Directors and teachers recognize in his work both artistic integrity and genuine accessibility for student ensembles.
Why we love this
Kirby Shaw's arrangement captures the emotional arc of Flaherty's anthem without requiring soloists or instrumental accompaniment. The gradual building from hushed vowel sounds to full harmonic power gives your singers a clear narrative to perform, and the piece lands hard enough to matter in concert without overshadowing repertoire around it.
What to expect
The piece unfolds like a dawn chorus gradually coming into focus. What begins as pure sound becomes words, then becomes plea, then becomes proclamation. There's vulnerability in the opening texture and conviction in the final climax, with enough musical sophistication to engage both performers and listeners.
Who it's for
TTBB choirs ready to tackle Broadway material with genuine artistic ambition. This works best with singers who can sustain tone and control dynamics across longer phrases, and with directors seeking repertoire that speaks to contemporary concerns while maintaining musical substance.
How to get the most out of it
- Shape the opening "ah" and "oo" sections with real attention to blend and balance. This is your window to establish intimacy before the text enters.
- Track the dynamic trajectory carefully across the middle section. The build is relentless but should feel organic, not mechanical; each phrase should feel inevitable rather than forced.
- Emphasize clarity in the text as the full texture arrives. Audiences need to hear Ahrens' words clearly, especially the title phrase and the message it carries.
- Balance the lower voices throughout. In TTBB texture, baritones often disappear under tenors; mark your score to ensure the bass line and baritone harmony register clearly.
How to use it
Program this as a centerpiece for a Broadway-focused concert, or use it to anchor a concert themed around social justice and activism. It also works powerfully in spring programs where you can pair it with lighter musical theater selections, creating genuine emotional contrast.
Skills your students will build
- Sustaining full, resonant tone on open vowels without vibrato interference
- Managing dynamic control through an extended crescendo while maintaining ensemble unity
- Balancing four-part harmony in close voicing, particularly securing lower voice independence
- Interpreting contemporary musical theater text with emotional authenticity