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Make Them Hear You: TTBB, <i>a cappella</i> Choral Octavo

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Make Them Hear You: TTBB, a cappella Choral Octavo

from Ragtime

Lyrics by Lynn Ahrens, music by Stephen Flaherty / arr. Kirby Shaw

Item: 00-47625

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Description
Here's the heart-swelling central anthem from Ragtime, beautifully arranged for a cappella voices! A lush "ah" and "oo" introduction yields to the stirring strains of Stephen Flaherty's stunning Broadway ballad, which gradually builds to a wall of sound as Lynn Ahrens' lyrics unfold. This arrangement delivers the spirit and truth of an important message---especially relevant today.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Make Them Hear You: TTBB, a cappella Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 8
UPC: 038081543185
SKU: 00-47625

More about this title

About the Composer: Stephen Flaherty

Stephen Flaherty has shaped contemporary musical theater through his distinctive melodic gift and orchestral sensibility. His work on Ragtime (1996) earned him a Tony Award for Best Original Score, establishing him as a composer who writes music of genuine emotional depth for the stage.

Why we love this

Kirby Shaw's arrangement captures the swelling power of this Broadway anthem while respecting the vocal range and blend that TTBB choirs can actually achieve. The progression from hushed vowel sounds to full harmonic impact gives your men something genuinely moving to build toward, and the lyrics carry real weight in any concert setting.

What to expect

The piece opens in hushed contemplation, almost like a held breath before something significant unfolds. As the melody emerges and the harmonies thicken, the sound gradually transforms into something powerful and unified, creating the sense of many voices speaking one truth.

Who it's for

Men's choruses at the high school, college, and adult levels looking for repertoire with theatrical sophistication and genuine emotional resonance. This works equally well for choirs building a concert of diverse styles or for groups seeking a centerpiece number that showcases vocal maturity.

How to get the most out of it

  • Shape the opening "ah" and "oo" section with dynamic restraint; let the silence between phrases matter as much as the sound itself, then enter the main melody with clarity and purpose.
  • Balance the inner parts carefully once the full harmonic texture arrives. The tenors and basses need distinct roles, so rehearse them separately before bringing all four parts together.
  • Honor the lyrical content by singing through phrases rather than stopping at bar lines. This is a song with something to say, and phrasing that reflects the text's emotional arc will carry that message.
  • Manage breath placement so sustained notes don't force strain. With eight pages of material, efficient breathing technique keeps the sound open and allows the crescendo to feel organic rather than forced.

How to use it

Program this as a concert centerpiece or finale, where it can command full attention and benefit from the emotional weight you've built across the rest of your program. It also pairs well with other contemporary or theatrical choral works when you're exploring songs that matter beyond the music itself.

Skills your students will build

  • Sustaining long tones without tension, especially in layered harmonic contexts
  • Balance and blend in TTBB texture, particularly distinguishing tenor and bass roles within the same musical phrase
  • Phrasing across bar lines to serve lyrical and emotional content
  • Building dynamic intensity gradually across an extended form without oversinging

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