Magic City Montage Cover Image

Magic City Montage: Concert Band Conductor Score

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Magic City Montage Cover Image

Magic City Montage: Concert Band Conductor Score

By Robert Sheldon

Grade: 4.5 (Medium Advanced)

Item: 00-49129S

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Description
This energetic overture allows us to enjoy the sparkling skyline of Miami, also known as the Magic City, from a speedboat on Biscayne Bay. A visit to the gardens of Vizcaya is represented by an elegant Danzon. The opening tempo returns with a nod to Miami's vibrant nightlife before taking us to our boat for the short trip home. Magic City Montage was composed by Robert Sheldon. (5:15)

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Additional Details
Series: Alfred Concert Band
Publisher: Alfred Music
Page Count: 40
ISBN10: 1-4706-4645-5
ISBN13: 978-1-4706-4645-5
UPC: 038081564753
SKU: 00-49129S

More about this title

About the Composer: Robert Sheldon

Robert Sheldon

Robert Sheldon stands among the most frequently programmed composers writing for wind band. His works appear regularly on state solo and ensemble contest lists, all-state festival programs, and international concert stages. He has received significant recognition from the American School Band Director's Association, Phi Beta Mu, and ASCAP, and his honorary doctorate from VanderCook College of Music acknowledges his lasting impact on music education.

Sheldon's prolific output includes dozens of new compositions each year alongside his work as co-author of Sound Innovations for Concert Band. His schedule balances guest conducting at honor bands with clinician duties across the United States and internationally, including appearances in Japan, Canada, Australia, China, and Europe. His music has been performed at Carnegie Hall, Orchestra Hall, Symphony Hall Boston, the Sydney Opera House, and the Kennedy Center.

Why we love this

Sheldon captures the character and energy of a place without resorting to obvious musical shortcuts. The arc here moves from sparkling vitality through lyrical grace and back to exhilaration, giving your band genuine contrasts to shape. It's energetic enough to excite a festival audience but structured deliberately enough that the work rewards close preparation.

What to expect

A musical postcard with real polish and personality. The writing sparkles where it needs to, settles into genuine lyricism during the Danzon, and builds momentum on the return home. Five minutes never feels rushed.

Who it's for

Medium-advanced concert bands looking for a substantial opening work with genuine musical architecture and contrasting moods. Directors programming festival or concert series can count on this to engage both performers and audiences while offering real teaching moments around stylistic variety and orchestration.

How to get the most out of it

  • Balance the opening's bright articulation with clear ensemble attacks; the excitement comes from precision, not just speed.
  • Let the Danzon section breathe. The elegance emerges when you resist pushing the tempo and allow the harmonic movement room to speak.
  • Treat the return to the opening as a restatement with new perspective rather than a direct repetition; subtle dynamic shifts in the familiar material keep it fresh.
  • Shape the closing passage with a slight ritardando into the final cadence to anchor the journey home musically.

How to use it

This works beautifully as a concert opener, immediately establishing energy and sophistication. It also fits well on a program exploring regional or cultural themes, or paired alongside lighter works when you want a substantive single-movement piece that won't overbalance the evening.

Skills your students will build

  • Bright, articulate articulation in fast passages
  • Lyrical phrasing in the Danzon section
  • Ensemble balance across multiple simultaneous melodic lines
  • Responding to subtle tempo and dynamic inflection from the conductor
  • Style contrast within a single work

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