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Lullaby

$13.50 USD
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Lullaby Cover Image

Lullaby

By Philip Doe

Item: 12-0571565441

$13.50
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Description

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Additional Details
Series: Faber Edition: Faber Brass Band Series
Publisher: Faber Music
ISBN10: 0-571-56544-1
ISBN13: 978-0-571-56544-3
SKU: 12-0571565441
Instrumentation: Brass Band

More about this title

Why we love this

Lullaby offers brass bands a chance to explore lyrical writing without sacrificing the ensemble's full sonority. The piece respects the idiom of brass band scoring while creating space for genuine musical tenderness, a balance that's harder to achieve than it sounds.

What to expect

Lullaby settles into a contemplative space where brass instruments soften into something intimate and almost vocal. The harmonic language and pacing invite listeners into a moment of quiet reflection, the kind that feels both timeless and immediate.

Who it's for

Brass bands preparing for contests and festivals will find this piece rewarding. It works equally well for ensembles seeking to deepen their musicality and for bands looking to program a substantial piece that showcases both technical control and artistic maturity.

How to get the most out of it

  • Shape the melodic line with long, connected phrasing rather than sectional punctuation; let the brass sing through the harmonic structure.
  • Balance the upper voices carefully so that inner parts support rather than obscure the primary melody.
  • Use dynamic control as your primary expressive tool; resist the urge to add vibrato or rhythmic liberties that would cloud the piece's simplicity.

How to use it

Program this as an anchor piece in a contest or festival set where it can stand alone as a full statement rather than as a novelty or palette cleanser. It also serves as an excellent choice for a concert program that pairs classical repertoire with original 20th century works.

Skills your students will build

  • Sustaining full-bodied tone across a range of dynamics without losing clarity
  • Balancing harmonic textures within a non-tutti brass band scoring
  • Phrasing and shaping lyrical lines written for ensemble rather than soloist
  • Listening for and correcting intonation in slower tempos where tuning issues are audible

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