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Lovely Mermaid: Piano Sheet

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Lovely Mermaid Cover Image

Lovely Mermaid: Piano Sheet

By June C. Montgomery

Level: Elementary

Item: 00-5420

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Description
An elementary level student will enjoy the long, legato phrases of this C-major, Middle-C position composition about the gentle song of the golden haired, blue-eyed mermaid.

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Additional Details
Series: Signature Series
Publisher: Alfred Music
Page Count: 4
ISBN10: 0-7390-1447-1
ISBN13: 978-0-7390-1447-9
UPC: 038081018188
SKU: 00-5420

More about this title

About the Composer: June C. Montgomery

June C. Montgomery

June C. Montgomery earned her degree from Florida State University and has spent more than 20 years teaching private piano while also serving as an elementary school music educator. Her contributions to music education extend across multiple roles: she has been recognized as an Outstanding Elementary Teacher of America, conducted children's choirs in church settings, and served as a clinician at district, state, and national conferences including the Music Teachers National Association conventions.

Her publishing catalog with Alfred includes original piano solos alongside collaborative and solo-authored instructional series such as FUNdamental Musicianship Skills, Piano Camp, and Theory Through the Year. She co-authored the Meet the Great Composers collection with Maurice Hinson and developed the Musical Concepts series in partnership with Martha Mier. Montgomery also serves as carillonneur at the Stephen Foster Memorial, bringing her musical expertise across multiple contexts and instruments.

Why we love this

Montgomery writes with her elementary students directly in mind, and it shows. The combination of C-major tonality and Middle-C position keeps technical demands accessible while the long, legato phrases give students genuine musical phrases to shape and sing through, rather than choppy exercises. The narrative quality (a mermaid's gentle song) gives young pianists something concrete to imagine, which translates into more expressive, intentional playing.

What to expect

The gentle, unhurried character invites a dreamy quality: imagine a mermaid's song drifting across calm water, neither rushed nor uncertain. Long melodic lines float above simple harmonic support, creating space for the melody to breathe while staying grounded in the familiar key of C major.

Who it's for

This piece is written for young pianists in their first years of study who are comfortable in the Middle-C position and ready to work with longer, more connected phrases. Students need basic note-reading skills in treble clef but not advanced technique, making it ideal for early elementary students preparing for their first recitals or those building confidence in legato playing.

How to get the most out of it

  • Sustain the legato phrases by thinking of them as vocal lines. Have the student sing the melody first before playing it, which helps establish breath points and shapes the phrasing naturally.
  • Maintain even tone across register changes by keeping the wrist relaxed and the arm weight steady. Students often tense up when moving between Middle C and higher positions; remind them to let gravity do the work.
  • Explore dynamic contrast within the Middle-C position by using subtle changes in touch and weight rather than dramatic octave leaps. Soft and gentle doesn't mean lifeless.
  • Use the pedal sparingly, if at all, at this level. Clean harmonic changes in C major are more important than resonance, and avoiding the pedal helps develop clarity of finger work.

How to use it

Program this early in the student's repertoire as a confidence-building recital piece or use it alongside other legato studies to reinforce phrasing skills. Its narrative charm works well on family recitals and informal performances where capturing character matters as much as technical accuracy. The piece also makes a strong teaching tool for demonstrating how tonality and position work together to create accessible yet musically satisfying compositions.

Skills your students will build

  • Legato phrasing across multiple measures
  • Sustaining tone quality in Middle-C position
  • Interpreting narrative imagery through musical expression
  • Reading and performing in C major with minimal accidentals
  • Managing hand position stability across the keyboard's middle range

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