Los Caballos de Andalucia: The Horses of Andalusia Cover Image

Los Caballos de Andalucia: The Horses of Andalusia: String Orchestra Conductor Score

$6.00 USD
Sale price  $6.00 USD Regular price 
Skip to product information
Los Caballos de Andalucia: The Horses of Andalusia Cover Image

Los Caballos de Andalucia: The Horses of Andalusia: String Orchestra Conductor Score

By R. Anne Svendsen

Grade: 1.5

Item: 36-50255240

$6.00
Shipped

One moment…

Description
Los Caballos de Andalucia (The Horses of Andalusia) by R. Anne Svendsen is a rhythmic Spanish-flavored piece in 3/4 time that would suit middle school level players. The key is E minor with the notation range remaining in the first position for all instruments. The viola part doubles the second violin part to add a solid mid-support for the upper melody and a balanced counter melody line when required. Throughout the piece, players are encouraged to create bold sound colors using full bows and exaggerated dynamics, contrasting with accents and crisp rhythms bowing in outer sections. The piano part drives the work rhythmically and fills in harmonically to enhance the overall performance. This work would make a lively finale for a concert program. (2:00)

Los Caballos de Andalucia: The Horses of Andalusia: String Orchestra Conductor Score isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: LudwigMasters Beginning Strings
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-563709-7
ISBN13: 979-889-563-7098
UPC: 612735821647
SKU: 36-50255240
Instrumentation: String Orchestra, Piano

More about this title

Why we love this

Svendsen captures Spanish character through rhythmic vitality and accessible writing that doesn't talk down to young players. The viola doubling of second violin creates genuine harmonic support rather than padding, making even a smaller string section sound full. Its two-minute duration and energetic close make it an ideal concert finale that leaves audiences wanting more.

What to expect

Spanish sunlight and movement. The piece gallops in 3/4 with infectious rhythmic momentum, shifting between bold, full-voiced moments and crisp, dancing figures that suggest the energy of Andalusian horses in motion. E minor gives it warmth without heaviness, and the piano accompaniment weaves harmonic color throughout.

Who it's for

Conductors leading middle school string orchestras who want a concert piece with genuine Spanish flavor and musical substance. The first-position writing and Grade 1.5 level make it accessible to students building ensemble skills, while the rhythmic demands and dynamic range keep it engaging for more experienced young musicians.

How to get the most out of it

  • Commit fully to the dynamic contrasts between sections. The outer sections demand crisp, articulate bowing that cuts through the rhythm, while transitions to fuller sonorities require a shift in bow weight and length.
  • Shape the counter melody lines when the violas double the second violin part. These aren't echo lines; treat them as equal partners to the first violin melody so the harmonic texture reads clearly.
  • Coordinate with the pianist on rhythmic drive. The piano part propels the piece, so lock the string section's sense of pulse with the keyboard player in rehearsal to ensure the Spanish character stays energized throughout.

How to use it

Place this as your final piece on a spring or end-of-year concert. Its two-minute length and vibrant closing make it the perfect palate cleanser after slower repertoire, and it sends the audience out on an uplifted note. It also programs well in a world music or multicultural set alongside other folk-inspired works.

Skills your students will build

  • Playing with full bow and controlled dynamics in 3/4 time
  • Balancing melody and counter melody within a single section
  • Sustaining ensemble rhythmic cohesion with piano accompaniment
  • Creating articulate, crisp attacks while maintaining tone quality
  • Reading first-position string writing with attention to expression and phrasing

You May Also Like