Look Where We Are: Piano/Vocal/Chords
Hoobastank
Item: 00-PSP-000113
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Description
The latest release from pop-rock giants Hoobastank, Every Man for Himself has already reached the No. 12 spot on Billboard's Top 200 chart (Billboard.com, 2006). This book provides the lyrics along with piano and chord arrangements for all the songs on the record.
Titles: The Rules * Born to Lead * Moving Forward * Inside of You * The First of Me * Good Enough * If I Were You * Without a Fight * Don't Tell Me * Look Where We Are * Say the Same * If Only * More Than a Memory.
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More about this title
About the Artist: Hoobastank
Hoobastank formed in 1994 in Agoura Hills, California, and emerged as one of the defining rock bands of the 2000s with their raw, emotionally direct approach to songwriting. The band built their reputation on anthemic rock songs that blend heavy guitars with introspective lyrics, earning them a dedicated international fanbase and multiple platinum certifications across their catalog.
Every Man for Himself, released in 2006, showcases the band at a creative peak, balancing the sonic intensity they're known for with increasingly sophisticated production and arrangement. The album's success on the Billboard charts confirmed their ability to craft songs that resonate with listeners seeking authenticity and emotional depth in contemporary rock.
Why we love this
This folio captures the full sonic identity of a commercially successful modern rock album while remaining accessible to pianists and singers working at intermediate levels. The combination of melody-driven writing, relatable lyrical themes, and straightforward chord progressions makes these arrangements genuinely engaging to perform rather than merely instructional, giving students immediate ownership over repertoire they actually want to play.
What to expect
Direct, emotionally grounded rock writing that honors both the heaviness and vulnerability in Hoobastank's songwriting. The arrangements strip away production flourishes to reveal the structural integrity underneath, creating a cleaner musical landscape where each lyrical moment lands with clarity and intent.
Who it's for
Pianists and singers at the intermediate to advanced-intermediate level who want to explore contemporary rock repertoire with real commercial resonance. This folio works equally well for solo pianists accompanying singers in a lesson setting, vocalists preparing for recitals, or ensemble singers building their contemporary music literacy.
How to get the most out of it
- Balance the vocal line clearly above the accompaniment; these songs are built around strong melodies, so let the singer command the arrangement even when the piano part feels full.
- Use the chord symbols to shape dynamic phrasing in the piano part. Rock songs benefit from rhythmic precision in the accompaniment, so lock in the harmonic rhythm and let it drive the overall groove.
- Study the original recordings to internalize the emotional arc of each song. The dynamics and intensity shifts are subtle in the sheet music but essential to capturing what makes these arrangements work.
- Pay attention to the transition between verses and choruses. The piano voicings shift in these sections to support the song's building energy, so mark those changes clearly during rehearsal.
How to use it
These songs pair well in a contemporary music recital or as part of a program exploring 2000s rock across multiple vocalists. They also work as accessible entry points into rock repertoire for students who traditionally learn classical or jazz standards, offering a different set of interpretive and technical challenges while maintaining musical substance.
Skills your students will build
- Reading and executing contemporary rock chord progressions with seventh and extended chords
- Balancing vocal melody prominence with rhythmically active piano accompaniment
- Interpreting emotional subtext within relatively simple harmonic structures
- Coordinating piano and vocal phrasing to maximize lyrical impact
- Managing dynamic and tempo flexibility in modern rock contexts