Look to the Rainbow Cover Image

Look to the Rainbow: SSA Choral Octavo

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Look to the Rainbow Cover Image

Look to the Rainbow: SSA Choral Octavo

From the Musical Finian's Rainbow

Words by E. Y. Harburg, music by Burton Lane / arr. Jay Althouse

Item: 00-33213

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Description
The joyous revival of Finian's Rainbow in Broadway's 2009 season is reason enough to select this inspired and uplifting setting of the beloved song "Look to the Rainbow." Charming, with just a bit of Irish lilt.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081361215
SKU: 00-33213

More about this title

About the Composer: Burton Lane

Burton Lane (1912-1997) composed the score for Finian's Rainbow, one of Broadway's most enduring musicals. His gift for melody and harmonic sophistication made him a sought-after composer for both stage and film; he also worked on major Hollywood productions including Royal Wedding and Gigi. Lane's theatrical music balances accessibility with genuine musical substance, making his songs rewarding for student performers to learn and audiences to hear.

Why we love this

Jay Althouse's arrangement captures the warmth and optimism of Lane's original song without overwhelming a developing SSA ensemble. The Irish inflection feels natural rather than forced, and the piece hits that sweet spot where it's genuinely fun to perform while still sounding polished in concert.

What to expect

Bright and uplifting, with a hint of folk warmth. The piece radiates optimism and joy without sacrificing musicality, making it feel both contemporary and timeless at once.

Who it's for

This arrangement works for treble choirs at the high school, community, and collegiate levels. It's equally at home in a pop choral series concert, a spring pops show, or an all-female ensemble recital.

How to get the most out of it

  • Shape the melody with careful attention to phrase direction; the song's effectiveness depends on long, singing lines rather than driving rhythmically.
  • Balance the parts so the sopranos' melody sits just above the inner voices, creating clarity without isolation.
  • Lean into the Irish character through articulation and rhythmic lilt, but avoid overselling the accent.
  • Use the recorded accompaniment during rehearsals to lock ensemble entrances and solidify intonation across all three parts.

How to use it

Program this alongside other Broadway standards or American musical theater repertoire for a pops concert. It also pairs beautifully with other Irish-inflected pieces or works celebrating hope and resilience. The 12-page octavo length makes it manageable for concert programming.

Skills your students will build

  • Singing in three-part SSA voicing with independent line independence
  • Interpreting stylistic elements of American musical theater
  • Sustaining phrases with consistent legit tone production
  • Blending treble voices while maintaining clarity of harmonic function

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